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In naher Zukunft wird wahrscheinlich ein UpDate (mit neuen??? Funktionen) bei THE PROPHETS AG zu bekommen sein....... SIGNED Mr. Magic from THE PROPHETS HAVE FUN A MasterpiceqH֐ by Mr. Magic b der Anfangszeit (.STAR:xxx) bis er vom Benuetzer gestoppt wird. 4 : Der Song faehngt erst an zu spielen, wenn die Start-Zeit erreicht ist und stoppt erst, wenn er solange seit der Anfangs-zeit gespielt hatt, wie bei .STOP:xxx angegeben ist. Der Sound-Controller macht bei Dia-Shows, Textverarbeitung, Copys usw. keine Probleme. Den Sound-Controller hat MR. MAGIC von THE PROPHETS AG entwickelt, unter zuhilfenahme der Abspielroutine vom Sound-TrackesL}P} } P }`0} @P }`} P }`@P}  }`}P}  }`0@P}  }`tcP} @P }`} }P} }`}0} }p}`}0}0p}`}0}0}p}`}0}0p}`}0}0p`0}0Xpun`0}0p`0}0Xp`0}0p`0}0p`0}0p`0}0p`0}0p`0}0vmp`0}0p`0}0p`0}0}`}0}0}`}0}0}`}0}0}`}0}0`0TR,,,H5we a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: lea mt_modulate,a0 move.l mt_partnote,d0 lsl.b #7,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 move.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_xN?samples,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) move.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w y= (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt_dmacon mt_retrout: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 move.w d0,$dff09e tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #14,d0 bne.s mt_noset move.w 2(a6),24(a6) rts mt_noset: tst.b 3(a6) bne.s mt_noclr clr.w 24(a6) mt_noclr: cmp.b #3,d0 beq.s mt_modvol cmp.b #6,d0 beq.s mt_modvol cmp.b #9,d0 beq.s mtz"T|_modvol cmp.b #4,d0 beq.s mt_modper cmp.b #7,d0 beq.s mt_modper cmp.b #10,d0 beq.s mt_modper cmp.b #5,d0 beq.s mt_modvolper cmp.b #8,d0 beq.s mt_modvolper cmp.b #11,d0 beq.s mt_modvolper cmp.b #12,d0 bne.s mt_nochnge move.b 3(a6),8(a5) mt_nochnge: rts mt_modvol: move.w 20(a6),d0 bra.s mt_push mt_modper: move.w 20(a6),d0 lsl.w #4,d0 bra.s mt_push mt_modvolper: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 mt_push: add.w #$8000,d0 move.w d0,$dff09e rts mt_aud1temp: dc.w $0000,$000{ 0,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000,$0000 mt_aud4temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_partpoint: dc.l 0 mt_samples: dc.w $0000,$0000 s|Tample1: dc.l 0 sample2: dc.l 0 sample3: dc.l 0 sample4: dc.l 0 sample5: dc.l 0 sample6: dc.l 0 sample7: dc.l 0 sample8: dc.l 0 sample9: dc.l 0 sample10: dc.l 0 sample11: dc.l 0 sample12: dc.l 0 sample13: dc.l 0 sample14: dc.l 0 sample15: dc.l 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 d}W{vc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,$0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087~,$007f,$0078,$0071,$0000,$0000,$0000 InstrUnit: dc.b 'ST-01:' ;hier Pfad fuer Instruments angeben blk.b 20-6,0 SongUnit: dc.b 'df0:songs/' ;hier Pfad fuer Song-Files angeben blk.b 20-10,0 SongName: dc.b 'pat' ;hier Name des Song-Files eintragen blk.b 40-4,0 InstrName: blk.b 40,0 ;\ SongFile: blk.b 50,0 ; | hier nicht eintragen, wird vom PRG gemacht! InstrFile: blk.b 50,0 ;/ align 4 dosbase: dc.l 0 SongHD:  dc.l 0 InstrHD: dc.l 0 LoadedBytes: dc.l 0 InstrLen: dc.l 0 InstrMemory: dc.l 0 SampleMem: blk.l 16,0 SampleNr: dc.l 0 SongDataZeiger:dc.l 0 dosname: dc.b 'dos.library',0 align 4 SongData: blk.l SongLenMax/4,0 ,$0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087 as developed & programmed by MR. MAGIC from THE PROPHETS AG with use from the playroutine of Sound-Tracker V2.0 The Source-Code can be obtained by THE PROPHETS AG. If you find ANY bugs in this program (I haven't found one) please notify me. I would be very grateful. In the near future probably a UPDATE (with NEW?? Functions) will be available with THE PROPHETS AG .... SIGNED Mr. Magic from THE PROPHETS  k HAVE FUN A Masterpiece by Mr. Magic ) 2 : The Song plays untill the PLAYTIME is reached. (.STOP:xxx) 3 : The Song plays from startingtime (.STAR:xxx) untill stopped by user. 4 : The Song starts to play when the startingtime is reached and plays untill the PLAYTIME is reached. (.STOP:xxx) The Sound-Controller RUNS with no problems with Dia-Shows, Textediting, Copyprograms etc. The Sound-Controller w ~! beq EndeCopyLoop01 move.b (a0)+,(a1)+ cmp.b #0,(a0) bne CopyLoop01 EndeCopyLoop01: rts SetInstrFile: move.l #19,d0 CopyLoop03: move.b (a5)+,(a1)+ dbf d0,CopyLoop03 EndeCopyLoop03: rts SetSongName: lea SongName,a0 move.l #40,d0 CopyLoop02: sub.l #1,d0 cmp.l #0,d0 beq EndeCopyLoop02 move.b (a0)+,(a1)+ cmp.b #0,(a0) bne CopyLoop02 EndeCopyLoop02: rts OpenSongFile: move.l dosbase,a6 move.l #SongFile,d1 move.l #1005,d2 jsr -30(a6) move.l d0, :~SongHd rts OpenInstrFile: move.l dosbase,a6 move.l #InstrFile,d1 move.l #1005,d2 jsr -30(a6) move.l d0,InstrHd rts CloseInstrFile: move.l dosbase,a6 move.l InstrHd,d1 jsr -30(a6) rts ReadInstrData: move.l dosbase,a6 move.l InstrHD,d1 move.l InstrMemory,d2 move.l InstrLen,d3 jsr -42(a6) ;Read rts ReadSongFile: move.l dosbase,a6 move.l SongHD,d1 move.l #SongData,d2 move.l #SongLenMax,d3 jsr -42(a6) ;Read move II.l d0,LoadedBytes cmp.l #SongLenMax,d0 bne OkAllLoaded clr.l d0 rts OkAllLoaded: move.l #5,d0 rts CloseSongFile: move.l dosbase,a6 move.l SongHD,d1 jsr -36(a6) rts ClearInstrFile: movem.l d0/a0,-(sp) lea InstrFile,a0 move.l #29,d0 ClearLoop00: clr.b (a0)+ dbf d0,ClearLoop00 movem.l (sp)+,d0/a0 rts ClearInstrName: movem.l d0/a0,-(sp) lea InstrName,a0 move.l #29,d0 ClearLoop03: clr.b (a0)+ dbf d0,ClearLoop03 movem.l (sp)+,d0/a0 rts  ClearSongFile: movem.l d0/a0,-(sp) lea SongFile,a0 move.l #49,d0 ClearLoop01: clr.b (a0)+ dbf d0,ClearLoop01 movem.l (sp)+,d0/a0 rts mt_init: move.l #sample1,a0 clr.l d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq #4,d0 cmp.l #$3c,d0 bne.s mt_clear move.w #0,$dff0a8 move.w #0,$dff0b8 move.w #0,$dff0c8 move.w #0,$dff0d8 eor.w #$c000,mt_voice0+12 clr.l mt_partnrplay clr.l mt_partnote clr.l mt_partpoint move.b SongData+$1d6,mt_maxpart+1 move.b SongData+$1d 7,mt_kn1+1 rts mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr mt_music movem.l (a7)+,d0-d7/a0-a6 dc.w $4ef9 mt_oldirq: dc.l 0 mt_music: addq.l #1,mt_counter cmp.l #6,mt_counter bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 tst.b 3(a6) beq.s mt_arp1 move.l #$dff0a0,a5 bsr.s mt_arprout mt_arp1: lea mt_aud2temp,a6 tst.b 3(a6) beq.s mt_arp2 move.l #$dff0b0,a5 bsr.s mt_arprout mt_arp2: lea mt_aud3temp,a6 tst.b 3(a6) beq.s mt_arp3 move.1xl #$dff0c0,a5 bsr.s mt_arprout mt_arp3: lea mt_aud4temp,a6 tst.b 3(a6) beq.s mt_arp4 move.l #$dff0d0,a5 bsr.s mt_arprout mt_arp4: bra.L mt_stop mt_arprout: tst.w 24(a6) beq.s mt_noslide clr.w d0 move.b 25(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn2 bsr.L mt_pushvol1 bra.s mt_noslide mt_voldwn2: clr.w d0 move.b 25(a6),d0 bsr.L mt_pushvol2 mt_noslide: move.b 2(a6),d0 and.b #$0f,d0 tst.b d0 beq.L mt_arpegrt cmp.b #3,d0 beq.L mt_arpegrt cmp.b #4,d0 beq.L mt_arpegrt cmp.b #565,d0 beq.L mt_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #6,d0 beq.s mt_portup cmp.b #7,d0 beq.s mt_portup cmp.b #8,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn cmp.b #9,d0 beq.s mt_portdwn cmp.b #10,d0 beq.s mt_portdwn cmp.b #11,d0 beq.s mt_portdwn cmp.b #13,d0 beq.s mt_volup rts mt_portup: clr.w d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: move.w 22(a6),6(a5) rts mt_portdwn: clr.w d0 move.b 3(a6),d0 add.w d0,22(a6) cmp.w #$358,22(ⓜa6) bmi.s mt_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_volup: clr.w d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn mt_pushvol1: add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_ok3 move.w #$40,$12(a6) mt_ok3: move.w $12(a6),8(a5) rts mt_voldwn: clr.w d0 move.b 3(a6),d0 mt_pushvol2: and.b #$0f,d0 sub.w d0,$12(a6) bpl.s mt_ok4 clr.w $12(a6) mt_ok4: move.w $12(a6),8(a5) rts mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.s mt_loop3 cmpYP.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmp.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rtdTs mt_rout2: lea SongData,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0400,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr.L mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr.L mt_playit move.l #$dff0c0,a5 lea mt_aud3temp,a6 bsr.L mt_playit move.l #$dff0d0,a5 lea mt_aud4temp,a6 bsr.L mt_playit move.l #mt_speedve,d0 mt_rls: dbf d0,mt_rls move.l #$8000,d0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 move.w #1,$dff0b4 mt_voice1: move.l #mt_aud1temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(TR,,,ty Rp beq NoMemoryForInstr ;Error->No Memory move.l a5,SongDataZeiger ;a5:Zeiger auf SongData retten bsr OpenInstrFile cmp.l #0,d0 ;0=kann instr nicht oeffnen (I. nicht da) beq InstrNotFound bsr ReadInstrData bsr CloseInstrFile InstrNotFound: move.l SongDataZeiger,a5 ;a5:Zeiger auf SongData holen dbf d7,LoadInstrLoop clr.l d0 rts NoMemoryForInstr: move.l #1,d0 rts NoInstrToLoad: move.l #2,d0 rts GetMemForInstr: cmp.l #0,instrlen beL0q NoInstrumentToAlloc move.l 4,a6 move.l #$10003,d1 move.l InstrLen,d0 jsr -198(a6) move.l d0,InstrMemory lea SampleMem,a0 add.l SampleNr,a0 move.l d0,(a0) ;memory in Sample liste eintragen lea sample1,a0 add.l SampleNr,a0 move.l d0,(a0) ;Adresse von Instrument eintragen NoInstrumentToAlloc: add.l #4,SampleNr move.l #1,d0 rts LoadSong: bsr ClearSongFile bsr SetSongUnit bsr SetSongName bsr OpenSongFile ; Open Song File beq ErrorSon=:gFile bsr ReadSongFile ; Song data lesen bsr CloseSongFile ; Song-File schliessen rts OpenDos: lea dosname,a1 move.l 4,a6 jsr -408(a6) move.l d0,dosbase rts SetSongUnit: lea SongUnit,a0 lea SongFile,a1 move.l #19,d0 CopyLoop00: sub.l #1,d0 cmp.l #0,d0 beq EndeCopyLoop00 move.b (a0)+,(a1)+ cmp.b #0,(a0) bne CopyLoop00 EndeCopyLoop00: rts SetInstrUnit: lea InstrUnit,a0 lea InstrFile,a1 move.l #19,d0 CopyLoop01: sub.l #1,d0 cmp.l #0,d0 ideahallbrass\@dxtom@filterbass @heaven@funkbass Z@hihat2@korgfilter@shaker~@mechanic2@metalkeys\@organ @popsnare1@bassdrum1&"strings2)nstrings1b@xΩ }@}pp@p}@}@}pp@p@}pX`pp}ۨ@S}@}pp@p}@}@}pp@p@}pX`pp}bŰ}S@e8}}}մh }   }@}}@h}:@}X@֠}3h}}S}}@} TH}@}:@X@֠::: 쨲::::::}P`}P`}P}P`}P}P`}P ذ}P}P}P`}P`}P}P`}P}P`}P}P`}PPP`PP`P`PP خ`P`PP@P@P`@P@P`@P`SP`SP`SP`SP``}}0S}0@}0}0} H}0}0}0}0}0}00@0S}00}0S0000000}S@0000}0S00000@}0}0S}0}}0S}0}0}}0}0}0@0@000Uxɘ@ : }}PX`}P)}P}`}}qqq }}@ 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P ?5'~C5LH% fypL<x0@@) _(|AټR Z ^Gl)F; 0t@ <`P`<,lPl0cc  @P$h9(1h`Q`怨1ȌID (zd SoundTracker V2.0 - A Quick Clarification. ------------------------------------------ Copyrights : The Jungle Command. Coding : The Exterminator. Release Date : 1-March-1988. History : SoundTracker V2.0 is based on the original V1.21 version by Karsten Obarski. SoundTracker V2.0 by JUNGLE COMMAND SoundTracker V3.0 (a) By DEFJAM (KEEP ON TRACKING) Soundtracker V3.0 (b) By DOC ( WAS COOL TO ) k Soundtracker V4.0 (a) By AFL ( NICE )\ I THINK (NOW) Soundtracker V4.0 (b) By DOC ( NICE )/ THE ARE THE SAME Modifications : Modulation. ------------- Enhanced portamento. Volume changing during play. Volume sliding up/down during play. Standard USA keymap. Playroutine for use in demos etc. Correct (?) spelling. (Karsten, it's spelled "Length" and NOT "Lenght" !!) (PHR....it ain't "Lengh", either !) Patterns. --------- Any>+ piece of music written with SoundTracker V2.0 is build up from patterns. SoundTracker holds a table with information about the sequence in which these parts must be played. With 'Position' you determine your position in the table. With 'Pattern' you define what pattern to play at that position. 'Length' defines the total size of the table. The Keys. --------- The original (V1.21) version of the SoundTracker had a German keymap. Version V2.0 supports a standard USA keymap and thisTR,,,m?aue ensures compatibility with nearly all Amigas. The keys on your Amiga have been grouped to represent the layout of a two-octave piano-keyboard. You can "shift" the keyboard one octave up or down with the aid of the F1 and F2 keys, thus incrementing the range of the keyboard to three octaves. While editing: Cursor-keys move cursor. -------------- F6 - Set cursor to first line of pattern. F7 - Set cursor to 16th line of pattern. F8 - Set cursor to 32th line of patteG{rn. F9 - Set cursor to 48th line of pattern. F10 - Set cursor to last line of pattern. DEL - Delete note under cursor. Instruments. ------------ You can use up to fifteen different instruments in one music-piece. Before you can use a sample as an instrument, some values must be defined. You can do this by either using a preset, or by setting these values your- self. Length : This is simply the length of the used sample in bytes. Volume : This is the default volume of that instrument. Replen : When replen is set to 2, each instrument will be played once. When replen is set to any other value, the instrument will be repeated until an other note is played. Repeat : SoundTracker can also be programmed to repeat just a part of a sample constantly. This is usefull when playing waveforms. Whenever Repeat is set to a non-zero value, SoundTracker will just play a part of that particular sample. In this case Repeat defines the offset and Replen the length of the part that must be repeated. Notes. ------ C # 1 3 C 2 3 / / | \| / / | Arpeggio, portamento and volume info. / / Command / Inst# Note to be played. Note : This is simply the note that must be played by that particular ---- instrument. Inst# : This is the number of the instrument that must be used to play ----- theW note. When the instrument number is zero, the last selected instrument will be used. Command : This number tells SoundTracker what special functions must be ------- preformed while playing the note. These functions are as follows : 0 - Normal play or arpeggio. 1 - Portamento up. 2 - Portamento down. 3 - Modulate volume of next higher voice. (possibly with arpeggio) 4 - Modulate period of next higher voice. '' 5 - Modulate period + volume of next hi 'gher voice. '' 6 - Modulate volume of next higher voice and portamento up. 7 - Modulate period of next higher voice and portamento up 8 - Modulate period + volume of next higher voice + portamento up. 9 - Modulate volume of next higher voice and portamento down. A - Modulate period of next higher voice and portamento down. B - Modulate period + vol of next higher voice + portamento down. C - Set volume. D - Slide volume. E - Set auto-slide. F -  gset tempo tempo ----- EXAMPLE: D#2 3f06 ( the 6 is the speed (normal) ) --- 0000 C#3 3f04 ( SLOWER ) --- 0000 C#2 3f08 ( FASTER ) Info : This byte contains the additional information for the commands. ---- Modulation : One voice can be programmed to modulate another. This means that ---------- either the volume, period or volume AND period are no longer static values that are set before starting to play a note, but tha  t these are subject to change during play. It can be seen that this provides a way to program viberato and tremolo effects. When a voice is programmed to modulate, it always modulates the next voice. So voice1 modulates voice2, voice2 modulates voice3 and so on. When a voice is told to modulate another, that voice is made silent. When voice4 is told to modulate, it is only made silent, because there are no 'higher' voices than voice4. H D.ow does this modulation work ? Well, say you programmed voice1 to modulate only the volume of voice2. The volume of voice2 is no longer defined by the volume of that instrument. Instead, the words in the sample of voice1 define the volume for voice2. So if the sample of voice1 looked like this : $0030,$0032,$0034 etc., the volume of voice2 would become $30, then $32 and so on. This is used to introduce a viberato to voice2. The period of voic Z"e1 defines the speed of this viberato effect. When voice1 was programmed to modulate the period of voice2, the words in the sample of voice1 would define the period of voice2. When a voice is programmed to modulate the volume AND the period of the next voice, the first word in the sample defines the volume, the second the period, the third the volume again and so on. Arpeggio : Arpeggio is used for simulating accords. It does this by ------FGa-- rapidly changing the notes while playing an instrument. Arpeggios are selected whenever the info byte has a non-zero value and no other commands are selected. When arpeggios are used, SoundTracker looks five times during the play of one note, at the information contained in the info byte. Each nibble (4 bits) in this byte defines how many notes SoundTracker must add to the the note currently playing. In each of the five passes SoundTracker does the eQAS following with the information contained in the info byte : 1 - Add the first nibble to the current note. 2 - Add the second nibble to the current note. 3 - Play the current note. 4 - Add the first nibble to the current note. 5 - Add the second nibble to the current note. Portamento : Portamento is used for 'sliding' of the instrument. ---------- If portamento is in use, the information contained in the info byte will be added to (or subtracteDd from) the period of the note playing in each of the five passes. Example : D#2 3208 --- 0208 --- 0208 --- 0210 etc. Volume : One of the enhancements that the V2.0 version provides is the ------ ability to change the volume at any time during play. When command 12 ($C) is selected, the volume is set to the value contained in the info byte. The volume will remain at this level until a next SAMPLE is played. At this time, the volumeC is reset to the default volume level of that sample. Example : C#1 1C22 - Set volume to $22 and use instrument # 1 to play the C#1 note. D-2 0000 - Use instrument # 1 to play the D-2 note. (Volume level remains at $22) B-1 1000 - Use instrument # 1 to play the B-1 note and set volume to default value for that instrument. It is also possible to "slide" the volume up or down while playing. In this case the first nibble of the info byte defines the amount at which the volume must be incremented, and the second nibble the amount at which it must be decremented. Example : D#3 2D20 - Slide volume up, amount = 2 --- 0D20 --- 0D20 etc. C#3 4D03 - Slide volume down, amount = 3 --- 0D03 --- 0D03 etc. This is all very well until you try to slide the volume and use portamento or arpeggio at the same time. For this reason, SoundTracker V2.0 provides a Eyn auto-slide mode. You set the auto-slide mode with command # 14 ($E). Set the amount at which the volume must be slided up or down as normal. Now play your arpeggio or portamento and the volume will be slided as well. You return from auto-slide mode whenever an info byte with a zero value is encountered. Example : E-2 CE02 - Set auto slide, amount = 2 --- 0203 - Portamento AND volume slide down. D-2 3203 - Volume to default level of instrument #3, portamento and volume slide down. --- 0203 G-1 1000 - Return from auto-slide. Play note G-1 with etc. instrument # 1. The Playroutine. ---------------- The playroutine on the SoundTracker disk is for using your music in demos, intros, games etc. It was written using the Seka-assembler and the source of the routine can directly be incorporated in your demo/intro source. When you are finished writing your music using SoundTracker, save it to disk. Write down which instruments you have used. Now enter the Seka-assembler and load the playroutine-source. At the end of the routine, (below the 'mt_sampleinfo' label) create an empty block (with the blk command) of suitable size to hold the song data. Now determine where you want the samples of the instruments to appear in memory. (or create an extra block to hold the sample data.) Put these addresses behind the 'move.l' instruction in lines 35-49. Assemble. Now load the saved song in the created blB ock and the samples to their correct addresses. At the start of your program, call the 'mt_init' routine, and to play the music, call the routine 'mt_music' once every vertical blanking interrupt. The 'Speed' label at the start of the routine, defines the pace at which the notes succeed each-other. ($1f4 is the default value used in SoundTracker.) Please note that, the higher the number, the slower the playroutine becomes. Also, the slower it becomes, the longer it takes to completE+e a pass through the routine. Some samples cannot handle high speeds, so you will have to try this out. As has been told before, the source-file of the routine can directly be incorporated in your demo/intro-source. To minimize the possibility of a 'Double Symbol' error, all labels used in the routine start with 'mt_'. So, when writing your program, do not use any labels that start with 'mt_'. Please note that the V2.0 version of SoundTracker is not completely downwards compatibl]e with version V1.21. Any old V1.0 song that uses no portamento or arpeggio can be used with V2.0 without any problems. If arpeggio is used, simply remove the 1 that selects the arpeggios in V1.21. (Example : C#2 2184) If the old V1.21 song uses portamento, you will have to rewrite this a little until it sounds the same as before. The songs supplied on this disk are re-written for V2.0. I sincerely hope that you find this program useful. But if you have any comments or queries abouCC|t this program, feel free to write or call : Mark Langerak, Oude Haven 26-28 4301 CK Zierikzee. Call : (0)1110-16647 Holland. PS. When you've written some music using SoundTracker V2.0 (or any other music program) we would love to hear from you ! And if it's good enough it might even appear on one of our Music Invasion disks ! PRESS ESC for MENU nd the 'move.l' instruction in lines 35-49. Assemble. 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blastV@marimba@xTR,,,rm@FSm`0 00 0`@@@0`00`0 0 `0 0 :`@@@:0`0:0`0 0@0 0`@@@0@`0T0 `0 0@`0 0:`@@@:0`0:0`0 000 `@@@0`00 `0 0`0 0 :`@@@:0`0:0`0 0 @0 0 @@@0UH@000 0@0 0:`@@@:`0`0 :`@@@@@@V@@@@pp@@pp@@pp@@pp@@pp@:::@WA@@@@@:@@@:@@@@@@:@@@  @@    :@@: :  X @@@@  @ :@@: :0 000@@0 0 0 0 0 0 0 :@@:00 :0Yh 0 0@00@@0 @00 0 0@00 :@@:00 :0` `0`0`0`@@@`0`0`0` `0`0`0`@@@`0` Z! 0`0` `0`0`0`@@@`0`0`0}` }`0`0}`0}`@@@}`0`0}`0@` @}`0S`0@`0@S`@@@@@`0`0@@`0@` @`0S`0@@`0S`@@@ [gXS}`0S`0S}`0}` }}`0S`0}`0}S`@@@}@`0`0}@`0` `0S`0@`0@`@@@@}`0S`0@}`0X`}` X``0``0``0X`@@@X``0``0``0X`` X``0``0` \c`0X`@@@X``0``0``0`` ``0@``0@``0`@@@``0@``0@``0`` ``0S``0S``0`@@@``0S``0S``0X`` X}``0S`}`0`S`0XS`@@@X@`S`0`@`0@``0X`@` X``0 ]\XS``0@`S`0X`@@@X}``0S`}`0}`S`0`}` }``0SS`}`0S`S`0S`@@@@`S`0S`@`0S@``0`@` ``0@S``0@@`S`0`@@@}``0@S`}`0@}`S`0` `000`@@`000` ^H( `0`0`0`@@`000` `0`0`0`@@`0`0`0: :0:0:0:`@@:`0:`0:`0` `000@@00_G0 0`0`0`@@`000` `000@@000} }0}@@}0}@@}@@}@@}@@`0 `0`0 `0`@@@``0`0 `0`0 `0`0 `0`@@@`0`0 `0`0 `0`0 `0`@@@`0`0 `0:`0 `0:`0 `0:`@@@`0:`0 `0 aB7    @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@``b)`}```}````S`````S````@``````@``:::`:`:```:``cˍ```````````}}}}}d}@``0000``0000S``00S``00:``0:000@``00@@``0@0``00@``0@000@0@0``00eS}``0S0S``00}0}000}0}000}``0}0S``00S0S0``00@0@000@0@0:0:000:8W0:0000``0000S``00S``00:``0:000@``00@@``0@0``00@``0@000@0@0``00gk/*********************************** *********************************** ** ** ** SoundTracker V4.0 Playroutine ** ** ** ** Coder 1 : Karsten Obarski ** ** ** ** Coder 2 : The Exterminator ** ** ** ** Coder 3 : Il Scuro ** ** ** ** Coder 4 : DOC ** ** ** ********************h*************** *********************************** mt_speed=$1f4 bsr mt_init move.w #$4000,$dff09a move.l $00006c,mt_oldirq move.l #mt_newirq,$00006c move.w #$c000,$dff09a mt_wait: btst #6,$bfe001 bne.s mt_wait move.w #$000f,$dff096 move.w #$4000,$dff09a move.l mt_oldirq,$00006c move.w #$c000,$dff09a clr.l d0 rts mt_init: move.l #s1,mt_sample1 move.l #s2,mt_sample2 move.l #s3,mt_sample3 move.l #s4,mt_sample4 move.l #s5,mt_sample5 move.l #s6,mt_sample6 move.lTR,,,+XvNiJ3 #s7,mt_sample7 move.l #s8,mt_sample8 move.l #s9,mt_sample9 move.l #sa,mt_sample10 move.l #sb,mt_sample11 move.l #sc,mt_sample12 move.l #sd,mt_sample13 move.l #se,mt_sample14 move.l #sf,mt_sample15 move.l #mt_sample1,a0 clr.l d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq #4,d0 cmp.l #$3c,d0 bne.s mt_clear move.w #0,$dff0a8 move.w #0,$dff0b8 move.w #0,$dff0c8 move.w #0,$dff0d8 eor.w #$c000,mt_voice0+12 clr.l mt_partnrplay clr.l mt_partnote clr.l mt_partpointj߇w move.b mt_sampleinfo+$1d6,mt_maxpart+1 move.b mt_sampleinfo+$1d7,mt_kn1+1 rts mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr mt_music movem.l (a7)+,d0-d7/a0-a6 dc.w $4ef9 mt_oldirq: dc.l 0 mt_music: addq.l #1,mt_counter move.l mt_tempo,d0 cmp.l mt_counter,d0 bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 tst.b 3(a6) beq.s mt_arp1 move.l #$dff0a0,a5 bsr.s mt_arprout mt_arp1: lea mt_aud2temp,a6 tst.b 3(a6) beq.s mt_arp2 move.l #kXIx$dff0b0,a5 bsr.s mt_arprout mt_arp2: lea mt_aud3temp,a6 tst.b 3(a6) beq.s mt_arp3 move.l #$dff0c0,a5 bsr.s mt_arprout mt_arp3: lea mt_aud4temp,a6 tst.b 3(a6) beq.s mt_arp4 move.l #$dff0d0,a5 bsr.s mt_arprout mt_arp4: bra.L mt_stop mt_arprout: tst.w 24(a6) beq.s mt_noslide clr.w d0 move.b 25(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn2 bsr.L mt_pushvol1 bra.s mt_noslide mt_voldwn2: clr.w d0 move.b 25(a6),d0 bsr.L mt_pushvol2 mt_noslide: move.b 2(a6),d0 and.b #$0f,d0lƂi tst.b d0 beq.L mt_arpegrt cmp.b #3,d0 beq.L mt_arpegrt cmp.b #4,d0 beq.L mt_arpegrt cmp.b #5,d0 beq.L mt_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #6,d0 beq.s mt_portup cmp.b #7,d0 beq.s mt_portup cmp.b #8,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn cmp.b #9,d0 beq.s mt_portdwn cmp.b #10,d0 beq.s mt_portdwn cmp.b #11,d0 beq.s mt_portdwn cmp.b #13,d0 beq.s mt_volup rts mt_portup: clr.w d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: mmnove.w 22(a6),6(a5) rts mt_portdwn: clr.w d0 move.b 3(a6),d0 add.w d0,22(a6) cmp.w #$358,22(a6) bmi.s mt_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_volup: clr.w d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn mt_pushvol1: add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_ok3 move.w #$40,$12(a6) mt_ok3: move.w $12(a6),8(a5) rts mt_voldwn: clr.w d0 move.b 3(a6),d0 mt_pushvol2: and.b #$0f,d0 sub.w d0,$12(a6) bpl.s mt_ok4 clr.w $12(a6) mt_ok4: move.w $12(a6),8(a5) rtn _s mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.s mt_loop3 cmp.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmp o*.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rts mt_rout2: lea mt_sampleinfo,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0400,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr.L mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr.L mt_playit move.l #$dff0c0,a5 lea mt_aud3temp pң,a6 bsr.L mt_playit move.l #$dff0d0,a5 lea mt_aud4temp,a6 bsr.L mt_playit move.l #mt_speed,d0 mt_rls: dbf d0,mt_rls move.l #$8000,d0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 mo q&)nsve.w #1,$dff0b4 mt_voice1: move.l #mt_aud1temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: lea mt_modulate,a0 move.l mt_partnote,d0 lsl.b #7,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 mo rWIave.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_samples,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) move.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move s 7.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt_dmacon mt_retrout: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 move.w d0,$dff09e tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #14,d0 beq.s mt_zx1 cmp.b #15,d0 bne.s mt_noset move.w 2(a6),d0 and.l #$f,d0 move.l tsd0,mt_tempo rts mt_zx1: move.w 2(a6),24(a6) rts mt_noset: tst.b 3(a6) bne.s mt_noclr clr.w 24(a6) mt_noclr: cmp.b #3,d0 beq.s mt_modvol cmp.b #6,d0 beq.s mt_modvol cmp.b #9,d0 beq.s mt_modvol cmp.b #4,d0 beq.s mt_modper cmp.b #7,d0 beq.s mt_modper cmp.b #10,d0 beq.s mt_modper cmp.b #5,d0 beq.s mt_modvolper cmp.b #8,d0 beq.s mt_modvolper cmp.b #11,d0 beq.s mt_modvolper cmp.b #12,d0 bne.s mt_nochnge move.b 3(a6),8(a5) mt_nochnge: rts mt_modvol: move.w 20(a6),d0 bra.s mt_push mt_modpug]er: move.w 20(a6),d0 lsl.w #4,d0 bra.s mt_push mt_modvolper: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 mt_push: add.w #$8000,d0 move.w d0,$dff09e rts mt_aud1temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000,$0000 mt_aud4temp: dc.w $0000,$000v\0,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_tempo: dc.l 6 mt_partpoint: dc.l 0 mt_samples: dc.w $0000,$0000 mt_sample1: dc.l 0 mt_sample2: dc.l 0 mt_sample3: dc.l 0 mt_sample4: dc.l 0 mt_sample5: dc.l 0 mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.w%fl 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,xN$0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_sampleinfo: blk.b 0,0 s1: blk.b 0,0 s2: blk.b 0,0 s3: blk.b 0,0 s4: blk.b 0,0 s5: blk.b 0,0 s6: blk.b 0,0 s7: blk.b 0,0 s8: blk.b 0,0 s9: blk.b 0,0 sa: blk.b 0,0 sb: blk.b 0,0 sc: blk.b 0,0 s-9d: blk.b 0,0 se: blk.b 0,0 sf: blk.b 0,0  mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,Qz4>LX^nx~@bv.:FRbjx0>NXp|&.@JP\:n   * 8 F P Z b j r |  R{, & 0 > H P V ` n z  $ , F n x  H L t x  0 : j  8BTdn>HZb|&,PZp~ (:Hdj~ ^rxSp $2<Fdz"X.4D`|lv~@Xt.Ljp~N3~trLoop: bsr ClearInstrFile bsr ClearInstrName bsr SetInstrUnit bsr SetInstrFile ;instrumentenName in InstrFile copieren move.l (a5),d0 mulu #2,d0 ;Instrument laenge in WORTEN (2bytes) move.l d0,InstrLen ;Laenge des Instruments eintragen add.l #10,a5 ;Volumen und noch 4 bytes ueberlesen ;jetzt steht naechstes instr in a5 bsr GetMemForInstr ;Speicher fuer Instrument holen cmp.l #0,d0 ;0=nicht genug Speicher da LL d0,d1 move.l (a7)+,a0 move.l a0,d2 andi.w #-2,d2 NullFind: tst.b (a0)+ bne.s NullFind move.l a0,d3 sub.l d2,d3 move.l DosBase,a6 jsr write(a6) rts text: dc.b 10 dc.b 'Please Remove SOUND-CONTROLLER before starting ' name: blk.b 25,' ' dc.b 10,10,0 dosname: dc.b 'dos.library',0 even dosbase: dc.l 0  ST-II(TJC).s{pTR,,,3VM[FGHIJKLMNOPyk BNZfr6@JT\fp;<=>?@ABCDE~TR,,,k"\90123456789:d*********************************** *********************************** ** ** ** SoundTracker V3.0 Playroutine ** ** ** ** Coder 1 : Karsten Obarski ** ** ** ** Coder 2 : The Exterminator ** ** ** ** Coder 3 : Il Scuro ** ** ** *********************************** *********************************** mt_speed=$1f4 bsar mt_init move.w #$4000,$dff09a move.l $00006c,mt_oldirq move.l #mt_newirq,$00006c move.w #$c000,$dff09a mt_wait: btst #6,$bfe001 bne.s mt_wait move.w #$000f,$dff096 move.w #$4000,$dff09a move.l mt_oldirq,$00006c move.w #$c000,$dff09a clr.l d0 rts mt_init: move.l #$00000,mt_sample1 move.l #$00000,mt_sample2 move.l #$00000,mt_sample3 move.l #$00000,mt_sample4 move.l #$00000,mt_sample5 move.l #$00000,mt_sample6 move.l #$00000,mt_sample7 move.l #$00000,mt_sample8 move.l #$00000,mt_sample9 move.l #$00000,mt_sample10 move.l #$00000,mt_sample11 move.l #$00000,mt_sample12 move.l #$00000,mt_sample13 move.l #$00000,mt_sample14 move.l #$00000,mt_sample15 move.l #mt_sample1,a0 clr.l d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq #4,d0 cmp.l #$3c,d0 bne.s mt_clear move.w #0,$dff0a8 move.w #0,$dff0b8 move.w #0,$dff0c8 move.w #0,$dff0d8 eor.w #$c000,mt_voice0+12 clr.l mt_partnrplay clr.l mt_partnote clr.l mt_partpoint move.b mtJ_sampleinfo+$1d6,mt_maxpart+1 move.b mt_sampleinfo+$1d7,mt_kn1+1 rts mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr mt_music movem.l (a7)+,d0-d7/a0-a6 dc.w $4ef9 mt_oldirq: dc.l 0 mt_music: addq.l #1,mt_counter move.l mt_tempo,d0 cmp.l mt_counter,d0 bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 tst.b 3(a6) beq.s mt_arp1 move.l #$dff0a0,a5 bsr.s mt_arprout mt_arp1: lea mt_aud2temp,a6 tst.b 3(a6) beq.s mt_arp2 move.l #$dff0b0,a5 bdgsr.s mt_arprout mt_arp2: lea mt_aud3temp,a6 tst.b 3(a6) beq.s mt_arp3 move.l #$dff0c0,a5 bsr.s mt_arprout mt_arp3: lea mt_aud4temp,a6 tst.b 3(a6) beq.s mt_arp4 move.l #$dff0d0,a5 bsr.s mt_arprout mt_arp4: bra.L mt_stop mt_arprout: tst.w 24(a6) beq.s mt_noslide clr.w d0 move.b 25(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn2 bsr.L mt_pushvol1 bra.s mt_noslide mt_voldwn2: clr.w d0 move.b 25(a6),d0 bsr.L mt_pushvol2 mt_noslide: move.b 2(a6),d0 and.b #$0f,d0 tst.b d0 be zq.L mt_arpegrt cmp.b #3,d0 beq.L mt_arpegrt cmp.b #4,d0 beq.L mt_arpegrt cmp.b #5,d0 beq.L mt_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #6,d0 beq.s mt_portup cmp.b #7,d0 beq.s mt_portup cmp.b #8,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn cmp.b #9,d0 beq.s mt_portdwn cmp.b #10,d0 beq.s mt_portdwn cmp.b #11,d0 beq.s mt_portdwn cmp.b #13,d0 beq.s mt_volup rts mt_portup: clr.w d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: move.w 22(a6)+h,6(a5) rts mt_portdwn: clr.w d0 move.b 3(a6),d0 add.w d0,22(a6) cmp.w #$358,22(a6) bmi.s mt_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_volup: clr.w d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn mt_pushvol1: add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_ok3 move.w #$40,$12(a6) mt_ok3: move.w $12(a6),8(a5) rts mt_voldwn: clr.w d0 move.b 3(a6),d0 mt_pushvol2: and.b #$0f,d0 sub.w d0,$12(a6) bpl.s mt_ok4 clr.w $12(a6) mt_ok4: move.w $12(a6),8(a5) rts mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.s mt_loop3 cmp.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmp.w (a0),d1  mnUbeq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rts mt_rout2: lea mt_sampleinfo,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0400,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr.L mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr.L mt_playit move.l #$dff0c0,a5 lea mt_aud3temp,a6 bsr.L m t_playit move.l #$dff0d0,a5 lea mt_aud4temp,a6 bsr.L mt_playit move.l #mt_speed,d0 mt_rls: dbf d0,mt_rls move.l #$8000,d0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 move.w #1,$df f0b4 mt_voice1: move.l #mt_aud1temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: lea mt_modulate,a0 move.l mt_partnote,d0 lsl.b #7,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 move.b 2(a6),TR,,,/*X {4zd2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_samples,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) move.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4) ,14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt_dmacon mt_retrout: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 move.w d0,$dff09e tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #14,d0 beq.s mt_zx1 cmp.b #15,d0 bne.s mt_noset move.w 2(a6),d0 and.l #$f,d0 move.l d0,mt_tempo LWrts mt_zx1: move.w 2(a6),24(a6) rts mt_noset: tst.b 3(a6) bne.s mt_noclr clr.w 24(a6) mt_noclr: cmp.b #3,d0 beq.s mt_modvol cmp.b #6,d0 beq.s mt_modvol cmp.b #9,d0 beq.s mt_modvol cmp.b #4,d0 beq.s mt_modper cmp.b #7,d0 beq.s mt_modper cmp.b #10,d0 beq.s mt_modper cmp.b #5,d0 beq.s mt_modvolper cmp.b #8,d0 beq.s mt_modvolper cmp.b #11,d0 beq.s mt_modvolper cmp.b #12,d0 bne.s mt_nochnge move.b 3(a6),8(a5) mt_nochnge: rts mt_modvol: move.w 20(a6),d0 bra.s mt_push mt_modper: move.w 273<:0(a6),d0 lsl.w #4,d0 bra.s mt_push mt_modvolper: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 mt_push: add.w #$8000,d0 move.w d0,$dff09e rts mt_aud1temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000,$0000 mt_aud4temp: dc.w $0000,$0000,$0000,$000?@0,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_tempo: dc.l 6 mt_partpoint: dc.l 0 mt_samples: dc.w $0000,$0000 mt_sample1: dc.l 0 mt_sample2: dc.l 0 mt_sample3: dc.l 0 mt_sample4: dc.l 0 mt_sample5: dc.l 0 mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.l 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w 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BJFNAIIEMA!@RPQa"C=COce~zbtd|($,2*:&<8IȨh(Hp@ޟo.Nv7f&GFq+8yxLBJJFNAIEMMCL65%1 ,8;W@"5 OW6/o߾@!Qа$JAEKB@ !Tsui~fzrb|rjvauktDĤf)(+򀯥@X  k}ybgg/m_ܼ|CB C%'$KMD!D R)ͽX$p~!xD&"4'G|~>?YZ\\c￠PhXxPqɢ`U}Rb|lb @w(n,-̐YX=>{yA@‡b>!1)*}rRBt$0ヽwʮ][X\<}@#"`þ /@ASQ "2:&6.>6:)(H QSEz}>+:UB@ ʀFuU5WQ+% Hh8CB<9Phn`upL_$V]*:jA@ ~ kj8 hV5ohXXĐ.B (BT$!}0H¤Z|x *M Ѓ"BL gTF T]tFa j8Ծ w 0̠ФF.L6schluchzshamus@analogstring0@ percopopsnare2@strings7V@bassdrum3@hihat2@polysynthV@ xޏ}: 0`:00:0`0`:00:00`:00:0`{0`:00:0 X0`S:00:0`X0`:00:0X0`:007y:0`X0`@:0S0:0: 0`}:00:0`0`:00:00`:00=w:0`0`:00:0 X0`S:00:0`X0`:00:0X0`:0wu0:0`X0`:00:0@: 0`:00:0`0`:00:00`Bs:00:0`0`@:0S0:0@ X0`:00:0`:X0`:00:0̦gqX0`:00:0`X0`:00:0: 0`:00:0`:0`:00:0 o0`:00:0`0`:00:0 X0`:00:0`:X0`:0:0 Vm:0X0`:00:0`X0`:0X0:0: 0`0:0000:0`:00`0:0TR",,,4< k000:0:00`0:0000:0`:00`0:0000:0:0 X0`0:0000:0`:0X0`0 i:0000:0:0X0`0:0000:0`:0X0`0:0000:0:0}P0: `0:0}P000SP:0`:0}P0 Fg`0:0}P000:0:00`0:0}P000:0`:00`0:0}P0SP0SP0:0:0@PX0 `0:0@P0SP0SP0P:0`:0X0`0:0P000:0:0X0`0:0P000:0`:0X0`0:0P000:0:0000SP:0`:0}P0;hunters moonbassdrum2 @snare2@claps1~0monobass @strings7V@hihat2@ @x 9900 ---- ---- TineWave 9900 ---- ---- TuneBass 4800 ---- ---- Touch 9200 ---- ---- Voices 9900 ---- ---- WabberString 3900 0254 2546 WoodBlock 1200 ---- ---- WowBass 5000 ---- ---- ----------------------------------------- PRESS ESC for MENU Strings1 8900 ---- ---- Strings2 '6#sll4korgbeau )synthebass#<shaker~;dxtom7popsnare1@bassdrum3;hihat20claps1~#korgbow @korgbass@x7\S.0@S0.0S@S.0h.0@h0wZ.0h@h.0}.0@}0S.0@S.0S.0@TR$,,,92('XS0.@.0@PS.0S@PS@PSp\ `.p0. p. @Pp\ `pS0. .p. `.p\ `p0. Sp. @Pp\ `Sp.0. p. hp `.p0h ph @PpV `ph0h ph `.p `p0h hph @Pp `hp.0h ph }p `.p0S pS @Pp `p}0S pS `Sp `p.0S pS @Pp `Sp.0S pS Sp( `.p0 Tp @Pp( `pS0 p `.p( `p.0 p @Pp( `Sp.0 p Sp\ `.p0. p. @Pր\ `pS0. .p. `.p\ `p0. Sp. @Pր\ `Sp.0. p. hp `.pR0h ph @Pր `ph0h ph `.p `p0h hph @Pր `hp.0h ph }p `.p0S pS @Pր `p}0S pS `Sp `p.0S pS @Pր `Sp.0S pS wPSp( `.p0 p @Pր( `pS0 p `.p( `p.0 p @Pր( `Sp.0 p .\ `.. .. \ `. . `\ `. . \ ` 17N. .  `h h  `h h ` `h h  `h h  `S S  `S S ` `S S  ` 0+#S S ( `  ( `  `( `  ( `  .. \ `. . `\ `. . \ `} tB HELLO FREAKS, ( THE NEXT 20 lines are about ANC UTILITYS 14 ) WE ARE VERY INTERESTED HOW MANY PEOPLE GET A COPY OF THIS DISK AND WHAT YOU FIND OF OUR UTILITYS AND OTHER ANC DISKS, BECAUSE WE WANT TO KNOW OF IT'S WORTH TO CONTINUE MAKING THESE DISKS (FOR EXAMPLE : MAKING AN UTILITY-DISK IS FOR ME ABOUT 3 EVENINGS WORK!!). SO WE WANT TO ASK YOU TO SEND US AN NICE POSTCARD WITH YOUR OPINION. TO MAKE IT MORE INTER- ESTING FOR YOU > WE GIVE YOU THE CHANCE TO SEND THE}!bO5M TO US TO THE END OF JUNE 1988 TO GIVE EVERYONE A CHANCE TO REACTION, AND NOW THE INTERESTING PART FOR YOU FREAKS: WE WILL 3 TIMES (END OF APRIL/END OF MAY/END OF JUNE) GIVE THE FREAK WHO SENT US THE NICEST POSTCARD (GRAPHICS, OF COURSE NOT YOUR OPINION) OF THAT MONTH > 5 NEW DISKS WITH THE LATEST ANC DISKS!!!! ALL PEOPLE WHO SEND A REACTION WILL BE (IF YOU DON'T WANT IT LET US KNOW) WITH THEIR NAME + COUNTRY ON A TEXTFILE ON THE FOLLOWING UTILITYDISK TOGETHER WITH THE }"SDIGITIZED WINNING POSTCARD OF THAT MONTH. SO THERE WILL BE 3 FREAKS WITH A PRICE AT THE END OF JUNE. SO DON'T WAIT TOO LONG AND GIVE US A REACTION!!!!!! A SMALL NOTE FROM ME: WHEN I STARTED ANC IN 1986 ON THE 64 THE AMOUNT OF MAIL WAS NORMAL TO WORK WITH. AFTER THE IN- TRODUCTION OF ANC ON THE AMIGA (YEAHHHHH) I WENT AFTER SOME MONTHS ALMOST CRAZY ABOUT THE AMOUNT OF MAIL. BECAUSE I DO THE WORK FOR UTILITYDISKS,GROUPSLIDESHOWS ,THE FIRST ANC CONTACTS AND A GREAT PART }#vHOF OUR COMPACTINGS AND GRAPHICS I ASKED FOR HELP TO THE OTHER MEMBERS. WE DECIDED THAT PETER, HARRY AND MIKE WOULD HELP ME WITH PAINTING,CONTACTS AND OFCOURSE ANC-MAIL. SO I AM FROM NOW ON NO LONGER AVAILABLE FOR SWAPPING STUFF. IF YOU NEED SPECIAL ANC DISKS OR YOU HAVE SOME GREAT SONIX OR SOUNDTRACKERSONG WRITTEN OR !!IF YOU HAVE A GREAT PICTURE FOR THE FOURTH GROUPSLIDESHOW THEN YOU CAN WRITE TO ME: YOU CAN SEND THE POSTCARD OR THE ABOVE MENTIONED TO: RON FONTEINE CRO}$gRSESTEIN 33-14 3704 NM ZEIST HOLLAND CALL (AFTER 8.00 PM) (0)3404-52987 A SPECIAL CALL TO PROGRAMMERS > INTERESTED TO JOIN US,WE CAN USE YOU !!!! BY THE WAY IF YOU WANT TO GET THE NEXT UTILITY-DISK AS SOON AS IT IS RELEASED THEN SEND YOUR ADRES + DFL 10,-- (DISK+ MAILCOSTS INCLUDED TO ME OR TO THE OTHER MENTIONED ADRESSES IN THE FOLLOWING LINES > IF YOU WANT TO SWAP/BUY NEW STUFF WRITE TO (I DON'T HAVE TIME FOR MORE CONTACTS,S}%YORRY): 1 >MIKE DIJKEMA 2 >HARRY HART 3>PETER WIJCHERSE P.H.STRAAT 42 CROSESTEIN 2015 BELTMOLEN 42 9714 EH GRONINGEN 3704 NH ZEIST 4133 EH VIANEN HOLLAND HOLLAND HOLLAND TEL:050-778422 TEL:03404-57702 TEL:03473-73653 MESSAGE TO 7-UP CREW,WUPP, AND HQC > RETURN OUR DISKS PLEASE!! SPECIAL HARDWARE FOR THE AMIGA: (ONLY AVAILABLE IN HOLLAND) ANC SAMPLER 1: PRICE DFL 75,-- (NICE SOUND)}& ANC SAMPLER 2: PRICE DFL 125,--(GREAT SOUND) ANC SECOND DRIVE(1): PRICE DFL 375,-- (TEAC 3.5 DRIVE, SWITCH ON/ OFF,AMIGA COLOURS,DEVICE SELECTOR.) ANC SECOND DRIVE(2): PRICE DFL 425,-- ( SAME AS (1) BUT WITH TRACK/DRIVENR DISPLAY+ WRITE PROTECT ON/OFF) ANC SECOND DRIVE(3): PRICE DFL 450,-- (TEAC 5.25 DRIVE) MIDI-INTE}'\RFACE : PRICE DFL 125,-- FOR ANC-SAMPLER 1 OR YOU C64/AMIGA NEED TO BE REPAIRED OR UPDATED (SPEEDDOS,DOLPHINDOS) CALL 030-625068 (MARTIN) FOR ANC SAMPLER 2, ALL THE DISKDRIVES AND MIDI : 03404-52987 FINALLY A LITTLE WORD TO RENE OF THE FIRM : STOP TALKING NONSENSE ABOUT RIPPING YOUR UTILITYS, WE LEAVE RIPPING TO YOU (FOR EXAMPLE YOUR SOCALLED OWNMADE PICTURE FOR THE SECOND GROUPSLIDESHOW. WE HOPE THIS ENDS THE DISCUSSION AND WE HOPE FOR A BETTER COOP- ERATION } ] yIN THE FUTURE BETWEEN ANC AND THE FIRM. PRESS ESC for MENU AC 3.5 DRIVE, SWITCH ON/ OFF,AMIGA COLOURS,DEVICE SELECTOR.) 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SOUNDTRACKER V4.0 BY DOC F7 .... SOUNDTRACKER V6.0 BY DOC F8 .... INSTRUCTIONS of SOUNDTRACKER v1-3 F9 .... DIR SONGS ON THIS DISK F10 .... TO LIST THE INSTRUMENTS SF1 .... MEGATRAXX V1.0 BY JUNGLE COMMAND SF2 .... MEGATRAXX INSTRUCTIONS SF3 .... HOW TO WORK WITH SOUNDTRACKER SF4 .... SOUND-CONTROLLER V1.0 BY PROPHETS AG SF5 .... SOUND-CONTROLLER INSTRUCTIONS (ENGLISH) HELP ... FOR THE ANC-TJC PAGE G ESC .... THIS PAGE ----------------------------------------------------------------------------- ALL SOURCES, INSTRUCTIONS & SOME SONGS ARE ON THIS DISK ----------------------------------------------------------------------------- -------------- F1 .... SOUNDTRACKER V1.0 BY KARSTEN OBARSKI F2 .... SOUNDTRACKER V2.0 BY JUNGLE COMMAND F3 .... SOUNDTRACKER V3.0 BY DEFJAM F4 .... SOUNDTRACKER V3.0 BY DOC F5 .... SOUNDTRACKER V4.0 BY AFL ]XDRhINȞYChc- { zvdDAS[B@]!4ٙR@逭COa.DY@{BN6Ōm\M -m ;Qp'& p g*@0n{WCiKC %!'R l, J:S '[C#Wg3ʨL `ۚ`٫ .u-l]L\̝M A,dC 1Ndf`Fgi@JmgonJHx ڛvt6(g`Kjkdjn ]`׽B1hHbdMX 8`dae!L ֖   :gZs2ȝt$Khnhe$PTYLt&w (], (1SBJr`ku1$҄WAbvD`0h20  nge llML 'lD:ܚbBa,0A<^ҷ9 XP -9D5'sCg[ 1u4( @0N֙Ե={!E+B9fƙu A..S X7'nhD9]8 "`d`a;A! H T40$.PP'76wALh ,]8: E Z;Р[ 4@x@ BB6F Y8@SxL>F-_S@h5[8XٙjȋP(4537*TКm\SS'CK{;C xY9 0-)fN6 E4,p9$"ijcbb0ZC);Z !AFذq_ : 030-945871 (Daniel) 3531 PW UTRECHT ONLY Foreign Contacts write to : BOIL Heldamweg 5 or call : (0)3407-1891 (John) 3481 GX HARMELEN HOLLAND please call us between 18:15 and 21:00 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- FOR SWAPPING ONLY RESPONSE TO BOIL & MCS !!!!!!!!! THEY WILL CONTACT YOU WITH OTHER MEMBERS =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- JUNGLE COqr MMAND The commando's in the software jungle PRESS ESC for MENU YES,WE THINK SO TOO !!!! The JUNGLE COMMAND are : MCS - Coder, Swapping EXTERMINATOR - The coder & GFX GHETTO SHARK - GFX & swapping BOIL - Foreign swapping & Organizing DRAGONSOFT - Swapping MASTER BLASTER - Music TRAVELLING JACK - Music ONLY Dutch contacts write to : MCS Balistraat 6 Bis or calla`$uHD|;{Bv.t]+8 Ašu'zbƇM],Nʠ43t"4p ,)M(A{;s{[RbT M Nf$ (BMA'C֥(gbd+CءPvا1QjPh\lӰōXWyiM4$3N& uL\退Pm״<@0nАO@@n[YH KKc{;0j9 z"d%RΖ̖0IЫ'? \̌mL95uuppu7"8gI֐䋋 {c^,BS ``EΈΐE= ZA`8724hg`Bb\zC[KsC{wS'x} :yؚ[6'AW'WaH 75KyVBУ1s4A[@bN xpNL\,',ML )h#F u$YĀ lb~B 26!K@::ȤȢ0=TB435!`SS-͜]Lǩك L0`nd`B p$5s0!3":S80£ h Js9居&A!BF`C/aNyc HOW TO USE SOUNDTRACKER --------------------------- THIS FILE IS A EXTRA BECAUSE THERE ARE STILL PEOPLE WHO DON'T NOW HOW TO LOAD,SAVE,PRESET OR HOW TO WORK WITH ONE DRIVE !!! FIRST HOW TO WORK WITH ONE DRIVE:IT'S SIMPLE WATCH !! 1) LOAD SOUNDTRACKER (If you don't now how to do that please give up !!) 2) Type in the song name at SONG NAME 3) PRESS 'load song' (with mouse) 4) Conferm with 'L' 5) now the drive yd ʅwill load the song and STOP because he can't find samples the mouse-pointer will stay GREEN 6) Now put your instruments disk in drive 0 and he will load the samples 7) Ready for PLAY !!!! SECOND ON THE LIST IS PRESET SOUNTRACKER HAS ABOUT 120 INSTUMENTS TO CHOOSE ONE FOR A VOICE : 1) CHOOSE INSTRUMENT NUMBER 1-F AT SOUNDS 2) CHOOSE A PRESET WITH +/- AT PRESET 3) PRESS 'USE PRESET' (with mouse) 4) CONFERM WITH 'U' 5) LOAD SAMPLE BY PRESSING LOAD SAMPLE 6) CONFERM WITyzߖH 'L' 7) THE JOP IS DON !! for more help read soundtracker help PRESS ESC for MENU FILE IS A EXTRA BECAUSE THERE ARE STILL PEOPLE WHO DON'T NOW HOW TO LOAD,SAVE,PRESET OR HOW TO WORK WITH ONE DRIVE !!! FIRST HOW TO WORK WITH ONE DRIVE:IT'S SIMPLE WATCH !! 1) LOAD SOUNDTRACKER (If you don't now how to do that please give up !!) 2) Type in the song name at SONG NAME 3) PRESS 'load song' (with mouse) 4) Conferm with 'L' 5) now the drive ~f ------------------------------------------------------------------ OUR GOLDEN REGARDS GOES TO OUR GREAT CONTACTS: ------------------------------------------------------------------ THE WEB INC (NICE DEMODISKS),DRAGONSOFT (FAST SENDINGS),B.S.1, MOVERS,AXXESS,DMA,RANDOM ACCESS,BIZMO,THE HUNTER,MR MIRACLE, DEFJAM , GSC INT (FAST SENDINGS),BITSTOPPERS, TNM-CREW(TAURUS 1) XTC,THE JUNGLE COMMAND(THANKS FOR SOUNDTR.2),ILLUSION MEMBERS, NINJA SOFT,RCC,MR.BOWLING,DIGITAL FORCE(NICE AR~g ])TWORK),7-UP CREW, MAGNIFICENT FORCE ,THE FIRM,1001-CREW,ADJ,DYNAMIC SYSTEMS,IBB MEDITATION STOPPERS,THE AMIGA GANG(NICE INTRO),THE VISITORS(?), TSS(AXENON),SPY+MIND,NORTHERN LIGHTS,T.A.F,T.A.C,ACKERLIGHT, POWERSLAVES,RED RIPPERS,PSB FRANCE,SPECIAL FX,WUPP,RBB,IMPULSE, TAURUS 1,CIA,TWILIGHT,TFC (AUSTRALIA),CRIS(UK),DAVE(TFO-U.S), ALCOMP,HAGAR(THE CONNECTION),CBC,TETRAGON AND ALL FRIENDS. ------------------------------------------------------------------ ALMOST NO COPYRIGHTS 198~/%8!!!!!!!!!!!!!!! ------------------------------------------------------------------ PRESS ESC for MENU -------------------------------------------------- THE WEB INC (NICE DEMODISKS),DRAGONSOFT (FAST SENDINGS),B.S.1, MOVERS,AXXESS,DMA,RANDOM ACCESS,BIZMO,THE HUNTER,MR MIRACLE, DEFJAM , GSC INT (FAST SENDINGS),BITSTOPPERS, TNM-CREW(TAURUS 1) XTC,THE JUNGLE COMMAND(THANKS FOR SOUNDTR.2),ILLUSION MEMBERS, NINJA SOFT,RCC,MR.BOWLING,DIGITAL FORCE(NICE ARi1ML.=6EGABAAAAAAAAAAAAAA@~`~`!!1@@2##3$$4%%5^^6&&7**8((9))0_-_-+=+=|\|\0QqWwEeRrTtYyUuIiOoPp{[{[}]}]123AaSsDdFfGgHhJjKkLl:;:;"'"'456>.>.?/?/.789 jj -'9DOZep Z type screen2 ATBSC @D A read TJC1 10~ read ANC1 11~ READ TJC2 12~ READ ANC2 13~ READ TJC3 14~5~15~6~16~7~17~8~18~9~19~SETMAP TJC1 TYPE SCREEN1 tjc2Albert S.@(hb$  *&" ABAAAAAAAAAAAAAA@~`~`!!1@@2##3$$4%%5^^6&&7**8((9))0_-_-+=+=|\|\0QqWwEeRrTtYyUuIiOoPp{[{[}]}]123AaSsDdFfGgHhJjKkLl:;:;"'"'456>.>.?/?/.789 lEB9B9B9#f#na#$#rNuxF#B9B9B9#f#na8#$Nua,yr"<$<N#gD,yr"9$<&<N,yr"9NKa* aFI ^N #IND82 #BNu <Nu <Nu !fNu .fNu#\ <A\g fBNu g g g^ g g. g g`Nua|#$` jg& 9xFg 9 g4 9x g`d xFa#`Bx  Fa\wC 0aT > 0`aa> @#AH\ ,H P< >A0",P{p*2615370GREW7wO/F&fV6vNzB~:rZ J.Dx0vdL\'B– paZ'b- =y`ɓ-{'s`2Cae =108`X6id@  " D$ $  0p$ ! < dA`+憖vD+y O@Ɂ!9  Rw$)SA`3A8%  !H qLU74#1"DBȕ)`-Pѷu11'`@dL ,܋*@ jĂ{W"L`lt#1 !΀0:hcieb@o= --------------------------------------------------------------------------- ANC-TJC PAGES --------------------------------------------------------------------------- F1 .... FOR JUNGLE COMMAND NEWSLETTER F2 .... FOR ANC EUROPE NEWSLETTER F3 .... FOR THE GREETINGS FROM JUNGLE COMMAND F4 .... FOR THE GREETINGS FROM ANC EUROPE F5 .... A FILE FOR OUR DUTCH FRIENDS ESC ... THIS PAGE HELP .. FOR MAIN MENU ----------------------------------**----------------------------------------- v  MegaTraxx.SpTR(,,,F H{rstuxyz|}~q < bST-00 < uqʋff_^B <tjc1pr_ ʸqponmlkjihgfedcba`_"}  ST-IV(AFL).Spsܔ     , eSOUNDTRACKER_V3.0_Apt*ܔsOEDCBA@?>=<;:9876543210/.-,+*4 uSOUNDTRACKER_V3.0_BpuH14%xwvutsrqponmlkjihgfedcba`_^]\[ZYXWVUTSRQPONMLKJIHGFEDCBA@?>=<;:987654321?0 JSoundtrackerIII.by_DOCpvvHE~}|{zyuwwUuxK ;cpyb&dcbJ k basic.helppz:ƠKJIHGFEDCBA@?>=<;:  ST-II(TJC).s{p{  8!x?     soundtracker.instrp|u devsp} ʞD'&%$#"!  anc1p~eɞ^%gfeU anc2p  spFܔgba`_^]\[ZYXWVUTSRQPONMLKJIHGF6  SOUNDTRACKER_V4.0_Apܔ     .  SOUNDTRACKER_V4.0_BpHAzy~}|{zyxwvutsrqponmlkjihgfedcba`_^]\[ZYXWVUTSRQPONMLKJIHGFEDCBAP  DemoSoundspC-?0/.-,+*)('&%$#"!      v  MegaTraxx.Sp=ޔs ESOUNDTRACKER_V1.0pTR),,,$|y&%$#"! 'k MegaTraxx.helpp:  songsp6ɰo!  ST-III(DFJ).Spfxwvutsrqponmlkjihgf"} ST-IV(DOC).Sp&[Z < screen1pn'!on screen2p4!/I<soundtracker.textpq^nK The JUNGLE COMMAND HELLO DUDES WHAT DO YOU THINK OF THIS DISK ???? YES,WE THINK SO TOO !!!! The JUNGLE COMMAND are : MCS - Coder, Swapping EXTERMINATOR - The coder & GFX GHETTO SHARK - GFX & swapping BOIL - Foreign swapping & Organizing DRAGONSOFT - Swapping MASTER BLASTER - Music TRAVELLING JACK - Music ONLY Dutch contacts write to : MCS Balistraat 6 Bis or callɋUFa <Xtjc2pȫ TJC3pK#w THE JUNGLE COMMAND ---------------------- WE WANT TO THANK THE FOLLOWING FRIENDS FOR THE MEETINGS ,PHONECALLS AND POST. ANDREW (DUSAT), KEES & KEES (MAGN. FORCE), STAN (MADNESS), GERARD (DRAGONSOFT), RON (ANC), JEAN PIERRE (TWI) IT'S MUCH MORE FUN IN HOLLAND WITH THESE NUTCASES (SPECIAL GREETINGS ARE SO NORMAL THESE DAYS) PRESS ESC for MENU ALI7d Emegatraxx.menupK THE JUNGLE COMMAND PRESENTS MegaTraxx. THIS IS ONLY A TEXT FILE TO TELL YOU THAT MegaTraxx has to be used in SEKA On this disk the source name is MEGATRAXX.s MegaTraxx is more powerfull than sountracker is you want long samples !!!! more help is given in the source and in the MegaTraxx help (F7) PRESS ESC FOR MENU lease note that, the higher the number, the slower MegaTraxx becomes. Also, the slower MegaTraxx ޕ;y0 gSOUNDTRACKER_V2.0pr.i~}|{zyxwvutsr&X  finaltfdmix *X  v42ʋ&X 6sll1 ' |  4sequence<ɌPONMLKJIHGFEDCBA@?>=<&X sll26, CheckSoundControllxȌX sll3 nj='X  csll4TR*,,,гֶ ƌ4rX  fsll5Ō$_X 7sll6m$)BBAC "*$I fae &"԰ R x4)A ),A`$fM0  @P  z?A8!x@Z@PTA0 D }`L P!BU@Y&N n(O!W'p.́)! xy `Pċ!&X 3sll7HPedcba`onmlk8?>=<;:9YXWVa`]\mT SoundTrackerVI.by_DOCp'Ì;:9876543210/.-,+*)('&X sll8#. 8PONMLKJIHGFEDCBA@?>=<;:9876543210/.BX riff,TJ44CQ"|,yNh# lfBNu |pa <Nu/,yN" _$BJf&,yNNu Please Remove SOUND-CONTROLLER before starting dos.library6Jf !cpQdedcba`_^]\[ZYXWVUTSRQ&X john1#`|BX tsf '&%$#"! X uldH ƃ~-,+*)(76543210/.CBA@KJIHGFEDlk  SOUNDCONTROLLxL%^]\[ZYXWVUTSRQPONML"X Wstrefa}4 GCheckSoundControll.Sp.&X ItyoC~Omlkj~}|{zyxwvu  TSRQ_^]\[ZYXWVUjihgfkn^%%#lX#$ g^CQ|a aax#lXa 91dgJ 92dg> 93dg2 94dg&#$a Xa g(aa a a J fgaBNu <Nu 91dg8 92dg 93dg 94dgZNux  F##B9B9B9#f#n#$Nux x@##B9B9B9#f#n#$#rNuxFx@#X schluchzF(X  hunters moon {zy}\Read=-$2a Write=-$30 Input=-$36 Output=-$3c start: lea name,a1 copyLoop: move.b (a0)+,(a1)+ dbf d0,copyLoop move.l #dosname,a1 move.l 4,a6 jsr -408(a6) move.l d0,dosbase cmp.l #$fc0cd8,$6c ;ist dort nicht der alte Vector ??? bne SoundControllAktive ;nein etwas anderes.... clr.l d0 rts SoundControllAktive: move.l #text,a0 bsr print move.l #5,d0 ;CLI-WARNING rts print: move.l a0,-(a7) move.l DosBase,a6 jsr OutPut(a6) move.l-"*~}|{zyxwv|4m  . PlaySong.spTR+,,,#'G%g****************************************************** * * * Sound-Tracker V2.0 Replay-Routine * * >>>---------------------------------<<< * * * * Written by Mr. Magic in 1988 by using * * Sound-Tracker V2.0 Replay-Routine * * * * This Routine needs only the Song-File Name,) RX  B tj at mikes = X  pat'p.X  jackdanceh * * It will load the Instruments in CHIP_MEM and free * * the MEM after playing the song. * * * ****************************************************** mt_speed=$1f4 SongLenMax=30000 PlayMain: bsr OpenDos ; Open dos.library bsr LoadSong cmp.l #-2,d0 beq EndePrg cmp.l #5,d0 beq EndePrg2 bsr LoadInstrumente PlayStart: bsr mt_init move.w #$4000,$dff09a move.l $00006c,mt_oldirq move.lޓ #mt_newirq,$00006c move.w #$c000,$dff09a mt_wait: btst #6,$bfe001 bne.s mt_wait move.w #$000f,$dff096 move.w #$4000,$dff09a move.l mt_oldirq,$00006c move.w #$c000,$dff09a bsr FreeInstruments clr.l d0 rts EndePrg: rts EndePrg2: ;SongFile zu lang rts ErrorSongFile: move.l #-2,d0 rts FreeInstruments: move.l 4,a6 lea SongData,a4 lea SampleMem,a5 add.l #40,a4 ;Song-Name und 1. Instr ueberlesen move.l #14,d7 ;15 instrumente FreeLoop% '7-,+*)('&%$#"!      FX  nothingʚ)('&%$#"! 2X adoc1|HW: cmp.l #0,(a5) ;wurde fuer Instrument Speicher reserviert??? ;0=nein (Kein Speicher) beq NextFreeInstr ;dann naechstes Instrument move.l (a4),d0 ;len des instr mulu #2,d0 ;in WORTEN (2 bytes) umrechene move.l (a5),a1 jsr -210(a6) ;FreeMem NextFreeInstr: add.l #30,a4 add.l #4,a5 ;Sample Mem List dbf d7,FreeLoop rts LoadInstrumente: move.l #14,d7 lea SongData,a5 add.l #20,a5 ;Song Name ueberlesen LoadIns6X Hideau?wstartup-sequence~256 setmap tjc1 Type screen1 !startup-sequence2B <Y |keymaps|ۤ ^system-configuration|G֐ 5`x6H(V($@8X<l>v;  " 3{,CBM_MPS1000K B devsp ʋ\   < <Y tjc1hɋd{jih8tjc2ތ*$setmapxQ͑UTSRQX256xLJZPONML Typex( m9876543210/.-,+*)(!Readx.dirxTR,,,,`ɷjsll5tunebass `@popsnare2@blastVkorgbeau *bassdrum36hihat2@shaker~@synbrass-hooman @monsterbass<x֨0..0. ..   0    @@0@ @@[v0   ..0. ..   0    @@0@ @@0   x@.0x@@.@@0. @.@.x@@ x@x@ @x@@ @0  @@ @ x@@x@@@@@0͞@ @@@@x@@x@x@@x@@@0  @ @  @x@.x@@.@@0. @.@.x@@ x@x@ @x@@ @0  @@ @ x@@x@@@F@@0@ @@@@x@@x@x@@x@@@0  @ @  @`.P` p` .P` p` `P`  p`  P `  p` @`@P@`ϿFp`@ @P`p``P `pxր` ʀ P` 0p0` `.P` p` .P` p` `P ` p `   P`  p` йf`@P`p` @P`p``P ` px`  P` 0p0` x@0.Px@`@p`@`@ .P@`@p`x@@ `x@`Px@` @x@`@` @ `P@ `@p ѵf`@ `x@`@Px@`@p`@`@ @P@`@p`x@@`x@`Px@`@x@`x@ `@ `P@`  @`p @` x@`.Px@`@p`@`@ .P@`@p`x@@ `x@`Px@` @x@`@` @  P 0͋"@` @`p@` `@P`p`` @P`p```P 0` 0xp``  0`P  p` 0 `@`@ .P@`@p`x@@ `x@`Px@` @x@`@` @ `P@ `@p ӕK <UZreadmep -------------------------------------------------------------------------- Sound Tracker Sound Controller V1.0 (C) copyright and written 1988 by Mr. Magic from THE PROPHETS AG Translated in English by BOIL/JUNGLE COMMAND -------------------------------------------------------------------------- +------------------------------------------------------------+ | Sound-Controller V1.0 (C) by Mr. Magic XX XX | | ---------------------------------------------------------- | | +--+ +-----------+ +-------+ +---------------------------+ | | | 0| |DF0:SONGS/ | |ST-01: | | | | | +--+ +---/-------+ +---/---+ +------/--------------------+ | | +--+ 6 7 +--+ 8 +---------------+ | | | 1| Begin Playing Sound in|4 |seconds |Time: 9 | | | +--+ +--+ +---------------+ | | +--+ +--+ | | | 2| ۇpStop Playing Sound after starting in | 5|seconds | | +--+ +--+ | | +--+ +-----------------------+ | | | 3| Start/Stop Playing |Remove Sound-Controller| | | +--+ +-----------------------+ | +------------------------------------------------------------+ Clarification Gadgets and Functions ========================================================================= Nr. 0|J : With this GadGet (Close-GadGet) you can remove SoundController from the current screen, tough the Sound-Controller remains active. With the HELP key you can get the Sound-Controller window back. 1 : When a song is loaded you must start it with this Gadget. Only you will hear something if the TIME (4) is equal to TIME (9) Choosing Gadget (1) will mark the Gadget with a 'x' 2 : The Song will stop when the TIME (5) is equal to TIME (9) oV(So you can controll with the right numbers in Gadget (4) and (5) the starting and ending point of the song. 3 : With this Gadget (3) you can turn the song on/off when you like The song always plays, only not when Gadget (2) also is selected. The sound stops then due to the filled in TIME (5), after selecting Gadget Nr.3 4 : If you don't hear the song immediatly then you must correct the TIME delay (0-999 Seconds). Don't forget to Click Function (1v9) 5 : This Gadget shows the TIME in which SONG is played and stopped A little example: The song has to start in 20 sec, play for 60 sec and then stop. Then you fill in these numbers : BEGIN Playing Sound in 20 seconds STOP Playing Sound after starting in 60 seconds The Gadgets 2 and 1 must be selected!. The song waits for TIMER (9) to reach 20, then the song will be played untill the TIMER reaches 80. (coz 80-20=60 stupm\id) 6 : This Gadget shows the PATH to load the SONGFILE (This is the file saved by SOUNDTRACKER normally in the SONGS dir. of ST-00) 7 : This Gadget shows the PATH to load the INSTRUMENTS (These can be found on the INSTRUMENTS DISK supplied along with SOUNDTRACKER normally named ST-01 or higher!) 8 : This Gadget must contain the SONGNAME that must be loaded. After pressing RETURN the Sound-Controller will try to load it. When this fails you must check the PATH or the۷ ) SONGNAME or simply insert the RIGHT DISK. Remove Sound-Controller: Exit Gadget closes Sound-Controller window and gives you the used memory back. The Sound-Controller has to started from the CLI with the CLI-COMMAND 'RUN C/SOUNDCONTROLL' This program you can use in combination with OWN Dia-Shows. To do that you have to program Sound-Controller which is easier than it sounds. You can program it just like the 'Startup-Sequence' only you must ͏ add a Parameter when calling Sound-Controller. For example: 'RUN C/SOUNDCONTROLL S/SEQUENCE' An example of a SEQUENCE which the Sound-Controller handles STSC .SONG:DF0:SONGS/! .INST:ST-01:! .SFIL:DRUM-SOLO! .PLMO:1! .STAR:00! .STOP:300! END. First the Sound-Controller needs to now that it is a Sequence-File. That is done in the beginning with the command 'STSC' (SoundTracker SoundController). Each line begins with an '.' then there comes a COMMAND which is ALWAYS 4 charact kers long followed with an ":" after that with NO spaces the parameters closed with NO spaces and an "!" (Don't forget the "!" or errors will occure) The file is closed with 'END' (After that you can add some remarks which will be ignored.) The 'STAR'ttime and 'STOP'time is a decimal number from 00-999 and must be at least 2 (TWO!) characters !!! Example: .STAR:06 ---> start after 6 Seconds .STOP:09 ---> stop after 9 Seconds play Also MUST the correct order of the  SZlcommands be kept!!!!! There are 4 PLMO (PLAYMODES) 1 : The Song always plays (Untill the user stops it.) 2 : The Song plays untill the PLAYTIME is reached. (.STOP:xxx) 3 : The Song plays from startingtime (.STAR:xxx) untill stopped by user. 4 : The Song starts to play when the startingtime is reached and plays untill the PLAYTIME is reached. (.STOP:xxx) The Sound-Controller RUNS with no problems with Dia-Shows, Textediting, Copyprograms etc. The Sound-Controller wTR-,,,H= kU ##$#(,y#N(@Jga , 0H0EG, @pB0& 9$ y(C ! RB)g\  g  g& "ggB  g`B`g0 "g *f  Ng nfr ` Eg efr`BB <(FL Hy,/N#N,##Np.yNuaa# /B$@ *$g,y @"(N"* g($<N###g @)hNp` /.y/,y 9n g"@NbJ gN|"y N NuH.<,xNL`pd`A\NA\NNuCpN#gNudos.libraryjd^>,d^LF|addquotecharnoDOS1$8021$7952$795stripjunklnextchar3$795newargxstartupDOSNameopenDOSdoquoteBh_exitfromCLI.endargexitToDOSfromWorkbench"doconsLdomainzwaitmsgparmExitexit2k!R-_stderr_stdoutargvBuffer_WBenchMsg _SysBase_errno argvArray,dosCmdBuf(initialSPdosCmdLen$_stdin_DOSBaseVerRev/$/Jg* 9gp9/NXHyNXJg$Jg/9NX/9NX/9N#%P/NP$Nu"/ /#h#THx keymap.resourceCannot open keymap.resourceThis program requires at least 1.2 romsconsole.deviceInternal system errorCannot open console.deviceInternal system errorCannot allocate a signalDEVS:keymaps/DEVS:keymaps/Cannot open keymap file: " topaz.font@CancelH ldP84_bodyText1\_bodyText2H_topaz9_IntuitionBase_cancelText,_iorp_diskObj.L103 .L104@_ior_IconBase.L81.L90.L82.L91 魆.L83 .L92.L84(.L93".L85P.L948.L86v.L95T.L87.L96j.L88.L97.L89.L98.L99H:(o o"oE:Ot&O,yNpJWFg/HoHTNO OL\NuNu:ps_common0ps_size&__doprntps_emptyBstuffCharLsc_putL/$/Ho //9NO $Nu .L1.L2.L3.L4_printfH0,yLNL@ Nu/,yN,_Nu/,yN,_Nu/,y"/Nj,_Nu 0@_Write_Input_Output,_LoadSeg<U/,yLN:,_Nu/,y"o / N.,_Nu/,yLN,_Nu/,yLN,_Nu/,y"oN,_Nu/,y /N,_Nu/,y /N,_Nu/,yLN,_Nu/,y o V\N,_Nu/,y"oNb,_Nu/,y oL "/ND,_Nu/,y"oN>,_Nu/,y"oN8,_Nu/,y"o / N,_Nu/,y"o / N,_Nu4Ldx(@_AllocMem_FreeMem_AddHead0_FindNameH_FindTask`_AllocSignalt_FreeSignal_PutMsg_WaitPort_CloseLibrary_OpenDevice_CloseDevice_DoIO_OpenRes\'"1ource$_OpenLibrary</,y oN,_Nu/,y oN,_Nu/,yLN,_Nu,_GetDiskObject_FreeDiskObject_FindToolType( H02,y o"o$o &o$ /("/,$/0&/4NLL Nu_AutoRequestLN,_Nu/,yLN,_Nu/,y"oN,_Nu/,y /N,_Nu/,y /N,_Nu/,yLN,_Nu/,y obFwsll3funbass @hallbrass\0hooman 2hihat2@korgbeau @claps1~2monobass -shaker~@popsnare22bassdrum3@dxtom@funkbass Z@ x%h p h p. @   (p   (pF@ h  (p p\  p .  h pph  h p. @ `  ` ` (p` ` h `@`h@  @h h@. @@ `h@  @h h`@`(@h `@  (@h @. (@@ `@  ( @ ( @ P @. ` @ P@ ` @ P@. ` h @  P@` @h0P P@0.Ph%v~hP@h0 0@hh0@0@` h@` (` @` ` @0`0 @0`h@ 0 @0h0@ 0@h0 @ 0 @0 h`h@0`(0 A|(@0`@ (0 @00@ (0@0 @ (0`@0``@0`0 @0` @ 0 @0  0 @ 0 @  0 @ \0 @0 . @z0`0 @0`h@ 0 @0 h0 @0@@`h0@`@ (0`(@0`@h0pp`hp 00`p`hph0p`hp 0`p0`TR.,,,4Uw ~vxhphph0(p(p`p 00`(p`ph0(p`p 0`(p0`(pp0pp0` p00`p0` p0p` p0 v`\p0`.p0.ppp`hp`p`hpp`hp`p`(p(p0qq@qq@\0@@0@ Ct@0ְְ@.pְpְ@  p` @ p`@ \p@@.\p@\p@@ @.pp`@ p`  p@p`@ \p@@.\p@ r\p@@ @p@.p`p`@ p`  p@p`@ \p@@.\p@\p@@\p @p`@```` p)`p9sll6mechanic19heavysynth$#hihat1@claps1~@korgbass@popsnare2@bassdrum2@shaker~@pizza\(tinewaveV#xsu                Fs     0@ @ 0@  0@0@ 0@ 0@ 0 @ 0@0@ 0@ 0@ 0@ 0 0@&q0@ 0@ 0@ 0@  @`@`@`@`p`PpPpPPp`PP`PpPPpPPpPpPPppPP`hP`P`SPhP`pPSPppPPp`&oPP`PpPPppPPpPpPPp`PP`SPpP`phPSP`pPhPppPPp`PP`PpPPpPPpPpPP``PPphPpP`SPhP`pPSPppPP+mp`PP`P`pPP`pPP`pP`pPP`p`pPP`pSP`pP`phPSP`pʐ0Ppʐ0PʐPpʐ0@P`0PʐPpPp0Pʐ0Ppp0PPʐ`hP`0PʐSP`ʐ0`ʐ0Ppʐ0vkpʐPpʐ0p@P`0P`ʐPpPp0Pʐ0Ppp0PPʐSP`0PhPSP0`ʐ0PpʐʐPpʐ0@P`PʐPp0Pp0PʐPpp0PPʐ@hP`PʐSP`ʐ0͆ʐ0PpʐpʐPpʐ0p@P`PʐPp0Pp`0P`P``p`0PP`@SP``P`hP``0`E0PpE0PʡEPpE0E@P`ʡE0PEPpPp0Pʠ0Ppp0PP`hP`0P ?SP`0`E0PpE0pʡEPpʡE0pE@P`E0P`ʡEPpEPp0PS@0PpS@p0PPS@SP`0PS@hPSPS@0`( 0PpPp0@P`PPp0Pp( 0PPpp0PP@hP` ~ePSP`0`0Pp`p`Pp0p`@P`P`Pp`0Pp0P`P``p0PP`@SP``P`hP``0`(0p0pp0p@@0@@p00pp0 Fcp``0``0`0p0p0h@@`(@0.h000@.0@@( 0h0@0@S00 T0@`00h0@`@0`0``@0`@``0`qGPqGPqGPPqGqGAGPPqGAGPqGGPPqGGPPqGG IPqGGPPqGGqGGPPqGAGhPqGGPqGAGSPhPqGAGqGGPSPqGGqGGPPqGGqG(AGPPqGGPqGGPPqG(AGPPqG(AGPqG(AGPPqG(AGqGaGPPqGaGSPqGaGPqGaGhPSPqGaGqGGPhPqGGqGGPPqGGqGGPPqGGPqGGPPh|qGGPPqG GPqG GPPqG.GqG GPPqGhGhPqGGPqG GSPhPqGGqGGPSPqG GqGGPPqGGqG GPPqGhGPqG GPPqGGPPqGGPqG GPPqGGqGGPPaGGSPaGGPaGGhPSPaGGqGqGAGPPqGAGPqGGPPqGGPPqGGZP ----------------------------------------------------------------------------- THE JUNGLE COMMAND and ANC EUROPE presents SOUNDTRACKER-MEGADISK UPDATE 4-5-88 BY BOIL ----------------------------------------------------------------------------- F1 .... SOUNDTRACKER V1.0 BY KARSTEN OBARSKI F2 .... SOUNDTRACKER V2.0 BY JUNGLE COMMAND F3 .... SOUNDTRACKER V3.0 BY DEFJAM F4 .... SOUNDTRACKER V3.0 BY DOC F5 .... SOUNDTRACKER V4.0 BY AFL ԋ.STSC .SONG:DF0:SONGS/! .INST:DF0:INSTR/! .SFIL:nothing! .PLMO:1! .STAR:00! .STOP:300! END. Infos zum Parameter PLMO ----------------------------- PLMD: 1 = Spielt Song-File immer 2 = Spielt Song-File bis zur Stop-Markierung 3 = Spielt ab Start-Markierung 4 = Spielt ab Start- bis Stop-Markierung SIGNED Mr. Magic from THE PROPHETS AG HAVE FUN pTR/,,,j.>.?/?/.789    " - 3[!@Rr Z type screen1 ATBSC @D Asoundtracker_v1.0 read megatraxx.menu soundtracker_v2.0 read megatraxx.help soundtracker_v3.0_a read basic.help +/soundtrackeriii.by_doc soundtracker_V3.0_B c/soundcontroll  soundtracker_V4.0_lKTb read readme +/soundtrackeriii.by_doc soundtracker_V4.0_A 15~(,soundtrackervi.by_doc soundtracker_v6.0 16~read soundtracker.text 17~ dir songs 18~read soundtracker.instr 19~setmap tjc2 type screen2 tjc1Albert S.@($  *&" DdFfGgHhJjKkLl:;:;"'"'456>.>.?/?/.789 ?@ Z type screen1 ATBSC @D Asoundtracker_v1.0 read megatraxx.menu soundtracker_v2.0 read megatraxx.help soundtracker_v3.0_a read basic.help +/soundtrackeriii.by_doc soundtracker_V3.0_B c/soundcontroll  soundtracker_V4.0_Z?NSTRUMENTS SF1 .... MEGATRAXX V1.0 BY JUNGLE COMMAND SF2 .... MEGATRAXX INSTRUCTIONS SF3 .... HOW TO WORK WITH SOUNDTRACKER SF4 .... SOUND-CONTROLLER V1.0 BY PROPHETS AG SF5 .... SOUND-CONTROLLER INSTRUCTIONS (ENGLISH) HELP ... FOR THE ANC-TJC PAGE Q0Sր000Sր00S::00SS0S0SS00 KOS0@ր0000S:0@0}}000}00 [M}0ր0S00ր0S:ր00S:00SS0S0SS0 fK00@ր0000S:00}000 ›VI}00}0ր0S00ր0Sր0ր0:ր0ր0@0@@00@ öG0@0@@000000:0@@0}}0ŀ0VE::0ŀ0}}0@@0SS0000SS0SS0@SS0ր0@0@@0lFC0@0@0@@000000000:0@@0}}0ŀ0::0ŀ0}}0ŀ00::0SS00@@@0,Suldstrings4@bassdrum3@blubzing@claps1~@closehihatX@dxtom@electom@asia@ ypopsnare2@shaker~@slapbass$@funbass @xN PP@P PPP@PPP@PfL PPP@P @PP@P@PPְP@P @PP@fJP PPSP @P @P@P@P PPP@PSPSP6H@P@ @PP@P@P @}P@}P@@PSSPPSP@P @PTF@P@P PPP @P@ @@@SPS SP@P^D@@@P PPP@P :SS@@P@@@P@P fB @}@}@SPS PSPP P@@@:::@TR0,,,J]A !Ȇ@S:S:@@@@@P }P@P}@P@SPS SPP@ "6>PPSXPSXP@}P} }PP P p`pP@p@pP@SpS`SpP }p}`PP #ԙf<P0Pp`pPpP@p`P@p@p SpS`PPP0P p`pP@p@pP@SpS`SpP}p}`P $܂v:PP0P p`pPpP@p`P@p@p Sp@`PPP0P PP@P  %y8PPP@@P@PP@@P }SPSPP@P SSPSP@SP&!6SSPP@}P@P PP@SPS P@PP }P PP@'>4P PP:P@P::PP@P :PPP@P PؖP@PPP:P@P ::PP@P :PPP PP@)Au*{nJ* 9F@{##$#(B ,y#N(@Jga l hH 0EG,tp&`QB 9$ y(So  oR&` S  o`B`BB L Hy,/Nh#Nx##Np.yNuaa# /B$@ *$g,y @"(NA g0"$<N g*### @)hNp` /.y/J g"9k ,yN,y 9g"@Nb*G0wMJ gN|"y N NuH.<,xNL`pd`A\NA\NNuBC <N#gNuxh`XP2,&rlTN Bn+GRrdos.libraryNVJfp`p3p!/HyNP#Jf Hya X o"n i ?g-H`Jf: y o* h$P-h"P#$/ -HNX# `zHyNXHyNXHy/NXHydNXHyN,z$ XHyNXHy,a XJg -|,` Hya X/</.NP# Jf Hya X/.aX#Jf Hya xXa dJf Hya dXp/a Xr#(Hy-@NXaJg(HyaXN@ qf Hy2a Xa oJ(fHy3aX`JfHy=aX`vp///9 NO # HyBHy,NPpd//9 NPP/9/NpP/HyHHy1NO Hy,a(Xa`HHyPa FXN^NuNVpP/Hy,/9 N0O p/B/9 N-qwO B . Pl\ @,@Jo m8. o m(. o m.HH o lpN^NuR`pN^NuNVp#(N@HHrPkTfNh` >`<`n`/`q` ``b `0 `Jf p#`Joa`Jf p#`Joaa*`HyQaXaZa`p//9$/9 NO a`p#`|a#JgnaD#(Jg`ab`\p/B/9 NO aH`Baa@`:ap//9$/9 NO.15g a`HygaXp2/NXN^Nup#Byp///9 NO #$HyxNXJo y0((2(,Al Jyfa`NuHy,a"X#/Hy,/9NLO NuNVp-|///9 -@NO /././9 -@N0O #Jo n g g .l RR` .ЮRr///9 NO n f"3^RLR RT-HRR nB .N^NuNVB l\HyzNX y0((2(,Al( l . @/NXR`Hy|a/m/XN`N^NuNVHyaXp//9$/9 NO Hy,-@aXp#Jo`p///9 NO Hy,-@aJXHyHy,aPJgp//./9 NO p#N^Nup//./9 NO p#pN^Nup//9$/9 NO y0(,H/a2XNup/B/9 NO y0(,HS/aXNuNV-|pByA,///9 -@-H-HNO -@JgBp//9 NO S-@p#Jo .lJoJyf .m .-@DB//9 N0BxSO -@Jnp/B/9 NO -@p///9 NO /././9 -@N0O #p//./9 NO Jo6 nS-H ne .lJyf fR n f3S` .gJyg .萮TB//9 NO p///9 NO N^NuNVa/.HyNPN^Nu y0(,HR/HyNPNuNVaBaXHyNXHyaXr/-@atX y0(,H/HyNP .N^NuNVB/</<NP-@Jf Hyap 1$oXp//.NP-@Jg,/./NP-@Jg n-h|/.NX/</.NP .N^NuNVBpN-@N n g .l RR` nB .N^NuNV/.adX/. -@aXX-@".lpN^Nu nR-H nd"/./. /a>O JgpN^NuR`pN^NuNVB nRJgR` .N^NuNVB .l$ n n gpN^NuRRR `pN^NuNVJ g/9 NX 9 y$g /NX nJg /NX`aBa`XJyg$ nJgHyNXN  2G\y fHy NXJg/9NXBNJXN^NuNVBN0X"@ i-nr/Hn/</-@-A-HaON^NuNVH /<p$/NP-@Jf pLN^NuBN0X"@ i".-Ar/Hnt//-@-A-Ha4& zfXL2, 41FvfN@."N.*"hL N ,  @ \&L H8z<`" 4lFVR P  t  5y  T:  r |  r F "CON:0/0/640/200/ More More commands: ......... Next Page (More) ..... Previous Page (Less) ........ Next Line < ............... First Page > ............... Last Page CTRL/L .......... Refresh window /string ......... Search for string n ............... Find next occuren6p,ce of string h ............... Help q ............... Quit *Q|*^ydos.library Version 1.2 required More - a utility for viewing ASCII text files CLI usage: More filename WB usage: Click text file, Shift/Doubleclick More While viewing file, press 'h' for help screen Enter filename or to exit Filename? Can't open file Empty file Not enough free memory [0 p Warning: File may contain binary, q = quitNot FTR1,,,i7\eu\oundLessMore (%ld%%)Finding previous pagePress h for help Press any key to continueSearching  --- %s --- [%ld;%0H[1 p/[0 p[%ld;%0H Not enough memory PRESS RETURN TO EXIT [1 p  J*H:(o o"oE:Ot&O,yNpJWFg/HoHTNLO OL\NuNu0/ Nu0/ Nu / HNu / H@B@H@NuH:&o oCE,yNL\NuNu:8b  NVHxHn/9N0rO gp`.HHN^Nu/$/Ho //9NO $Nu o XB!HNu9H? (/ /'/&mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr mt_music movem.l (a7)+,d0-d7/a0-a6 dc.w $4ef9 mt_oldirq: dc.l 0 mt_music: addq.l #1,mt_counter cmp.l #6,mt_counter bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 tst.b 3(a6) beq.s mt_arp1 move.l #$dff0a0,a5 bsr.s mt_arprout mt_arp1: lea mt_aud2temp,a6 tst.b 3(a6) beq.s mt_arp2 move.l #$dff0b0,a5 bsr.s mt_arprout mt_arp2: lea mt_aud3temp,a6 tst.b 3(a6) beq.s mt_arp3 move.l #$dff0c0,z?n#a5 bsr.s mt_arprout mt_arp3: lea mt_aud4temp,a6 tst.b 3(a6) beq.s mt_arp4 move.l #$dff0d0,a5 bsr.s mt_arprout mt_arp4: bra.L mt_stop mt_arprout: tst.w 24(a6) beq.s mt_noslide clr.w d0 move.b 25(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn2 bsr.L mt_pushvol1 bra.s mt_noslide mt_voldwn2: clr.w d0 move.b 25(a6),d0 bsr.L mt_pushvol2 mt_noslide: move.b 2(a6),d0 and.b #$0f,d0 tst.b d0 beq.L mt_arpegrt cmp.b #3,d0 beq.L mt_arpegrt cmp.b #4,d0 beq.L mt_arpegrt cmp.b #5,d0 beq.L mz@b t_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #6,d0 beq.s mt_portup cmp.b #7,d0 beq.s mt_portup cmp.b #8,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn cmp.b #9,d0 beq.s mt_portdwn cmp.b #10,d0 beq.s mt_portdwn cmp.b #11,d0 beq.s mt_portdwn cmp.b #13,d0 beq.s mt_volup rts mt_portup: clr.w d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: move.w 22(a6),6(a5) rts mt_portdwn: clr.w d0 move.b 3(a6),d0 add.w d0,22(a6) cmp.w #$358,22(a6) bmi.s mtzASB1_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_volup: clr.w d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn mt_pushvol1: add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_ok3 move.w #$40,$12(a6) mt_ok3: move.w $12(a6),8(a5) rts mt_voldwn: clr.w d0 move.b 3(a6),d0 mt_pushvol2: and.b #$0f,d0 sub.w d0,$12(a6) bpl.s mt_ok4 clr.w $12(a6) mt_ok4: move.w $12(a6),8(a5) rts mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.s mt_loop3 cmp.l #3,mt_cozB8unter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmp.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rts mt_rout2:z Cb": lea mt_sampleinfo,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0400,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr.L mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr.L mt_playit move.l #$dff0c0,a5 lea mt_aud3temp,a6 bsr.L mt_playit move.l #$dff0d0,a5 lea mt_aud4temp,a6 bsr.L mt_playit move.l #mt_speed,d0 mt_z Dy8rls: dbf d0,mt_rls move.l #$8000,d0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 move.w #1,$dff0b4 mt_voice1: move.l #mt_aud1temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dfz EO/>f0a0 move.w #1,$dff0a4 mt_voice0: lea mt_modulate,a0 move.l mt_partnote,d0 lsl.b #7,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 move.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_samplesz FKr,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) move.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),1z G|T 6(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt_dmacon mt_retrout: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 move.w d0,$dff09e tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #14,d0 bne.s mt_noset move.w 2(a6),24(a6) rts mt_noset: tst.b 3(a6) bne.s mt_noclr clr.w 24(a6) mt_noclr: cmp.b #3,d0 beq.s mt_modvol cmp.b #6,d0 beq.s mt_modvol cmp.b #9,d0 beq.s mt_modvolzHD cmp.b #4,d0 beq.s mt_modper cmp.b #7,d0 beq.s mt_modper cmp.b #10,d0 beq.s mt_modper cmp.b #5,d0 beq.s mt_modvolper cmp.b #8,d0 beq.s mt_modvolper cmp.b #11,d0 beq.s mt_modvolper cmp.b #12,d0 bne.s mt_nochnge move.b 3(a6),8(a5) mt_nochnge: rts mt_modvol: move.w 20(a6),d0 bra.s mt_push mt_modper: move.w 20(a6),d0 lsl.w #4,d0 bra.s mt_push mt_modvolper: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 mt_push: add.w #$8000,d0 move.w d0,$dff09e rts mt_aud1temp: dc.w $0000,$0000,$0000zII,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000,$0000 mt_aud4temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_partpoint: dc.l 0 mt_samples: dc.w $0000,$0000 mt_samplzJRYe1: dc.l 0 mt_sample2: dc.l 0 mt_sample3: dc.l 0 mt_sample4: dc.l 0 mt_sample5: dc.l 0 mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.l 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$428zKH@,0,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,$0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$zW00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_sampleinfo: mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.l 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$428TR2,,,1GHLMDstrefkorgbass@electom@popsnare2@claps1~@metalkeys\@tinewaveV@celeste@blubzing@xN*[" p7` 777077 7 7@77 7h7@7@7@7@7 7 777077 7 On7@77 7h7@7@7@7@7` G G G G0G G  G  GGG  G@ G@GG@  @ ` 7 :7770:7:7PǨ3 7 7@77 :7h7@7}7@:7@7ր@@@@Q@@@@SSSS S      Rc    p7R  7 7 7 07 7  p7 777 77@77@7@7 p7XP S777077 p7 777 77@7 7@7@7 pG P G G GP0GG  pG@P  GGPG  G G@P@GG@ GhP@ GT` p7@P 7@7@7hP077 @p7}P @7:7hP:7 77@:p7}P@:7@7@7 p7XQ 777 77 p7 777 77077  UM87 7 p7R 77@7` 7p7 p7Q 777 77077 7  70 pG@ GP G` Gp GG  pG  GpG`G`  GP G@0G@ VcG0 0G G : p7 p: 7p 7@p 7hp:7@p:7hp p7@p7hp: 7}p: 7p 7p 7hp:07@p:7}p07hp7@p  @`0@` ` @`@`  W&@`0@`@`` ` @`0@` ` @`@` @@`0@`0@   @` 0@`   `  @`@ ` XF   @`0@` @` ` :` :@`0:@`: ` @`@` @`0@`0@0 ` 0   Yv  0@  0     0@@@h@    0    Z'ԝ    @ 0h }  h hh0h h }::} @}@0:}:@@}@ pGP GGGP0G[nG pGP GGG GG@GPG@G@G pGP GGGP0GG pGP G:G:G GG@:G:G@G@G @pGP G@G@G\K80GPG @@pG @GPGGP @G@G@GPG@@GP@@G :pGP :GGGP0:G:G pGP GGG pGG@pGG@pG@G   ]u   @ h 0@          @   h  X0@      ^;e           @    h   0@                   @    h   X0@      \5    @ h 0@          @   h  X0@      r`Z*********************************** *********************************** ** ** ** SoundTracker V4.0 Playroutine ** ** ** ** Coder 1 : Karsten Obarski ** ** ** ** Coder 2 : The Exterminator ** ** ** ** Coder 3 : Il Scuro ** ** ** ** Coder 4 : AFL 1970 ** ** ** ********************ra7*************** *********************************** mt_speed=$1f4 bsr mt_init move.w #$4000,$dff09a move.l $00006c,mt_oldirq move.l #mt_newirq,$00006c move.w #$c000,$dff09a mt_wait: btst #6,$bfe001 bne.s mt_wait move.w #$000f,$dff096 move.w #$4000,$dff09a move.l mt_oldirq,$00006c move.w #$c000,$dff09a clr.l d0 rts mt_init: move.l #s1,mt_sample1 move.l #s2,mt_sample2 move.l #s3,mt_sample3 move.l #s4,mt_sample4 move.l #s5,mt_sample5 move.l #s6,mt_sample6 move.lrbJ}Q #s7,mt_sample7 move.l #s8,mt_sample8 move.l #s9,mt_sample9 move.l #sa,mt_sample10 move.l #sb,mt_sample11 move.l #sc,mt_sample12 move.l #sd,mt_sample13 move.l #se,mt_sample14 move.l #sf,mt_sample15 move.l #mt_sample1,a0 clr.l d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq #4,d0 cmp.l #$3c,d0 bne.s mt_clear move.w #0,$dff0a8 move.w #0,$dff0b8 move.w #0,$dff0c8 move.w #0,$dff0d8 eor.w #$c000,mt_voice0+12 clr.l mt_partnrplay clr.l mt_partnote clr.l mt_partpointTR3,,,M%?rc߇ move.b mt_sampleinfo+$1d6,mt_maxpart+1 move.b mt_sampleinfo+$1d7,mt_kn1+1 rts mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr mt_music movem.l (a7)+,d0-d7/a0-a6 dc.w $4ef9 mt_oldirq: dc.l 0 mt_music: addq.l #1,mt_counter move.l mt_tempo,d0 cmp.l mt_counter,d0 bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 tst.b 3(a6) beq.s mt_arp1 move.l #$dff0a0,a5 bsr.s mt_arprout mt_arp1: lea mt_aud2temp,a6 tst.b 3(a6) beq.s mt_arp2 move.l #rdXI$dff0b0,a5 bsr.s mt_arprout mt_arp2: lea mt_aud3temp,a6 tst.b 3(a6) beq.s mt_arp3 move.l #$dff0c0,a5 bsr.s mt_arprout mt_arp3: lea mt_aud4temp,a6 tst.b 3(a6) beq.s mt_arp4 move.l #$dff0d0,a5 bsr.s mt_arprout mt_arp4: bra.L mt_stop mt_arprout: tst.w 24(a6) beq.s mt_noslide clr.w d0 move.b 25(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn2 bsr.L mt_pushvol1 bra.s mt_noslide mt_voldwn2: clr.w d0 move.b 25(a6),d0 bsr.L mt_pushvol2 mt_noslide: move.b 2(a6),d0 and.b #$0f,d0reƂg> tst.b d0 beq.L mt_arpegrt cmp.b #3,d0 beq.L mt_arpegrt cmp.b #4,d0 beq.L mt_arpegrt cmp.b #5,d0 beq.L mt_arpegrt cmp.b #1,d0 beq.s mt_portup cmp.b #6,d0 beq.s mt_portup cmp.b #7,d0 beq.s mt_portup cmp.b #8,d0 beq.s mt_portup cmp.b #2,d0 beq.s mt_portdwn cmp.b #9,d0 beq.s mt_portdwn cmp.b #10,d0 beq.s mt_portdwn cmp.b #11,d0 beq.s mt_portdwn cmp.b #13,d0 beq.s mt_volup rts mt_portup: clr.w d0 move.b 3(a6),d0 sub.w d0,22(a6) cmp.w #$71,22(a6) bpl.s mt_ok1 move.w #$71,22(a6) mt_ok1: mrfl!ove.w 22(a6),6(a5) rts mt_portdwn: clr.w d0 move.b 3(a6),d0 add.w d0,22(a6) cmp.w #$358,22(a6) bmi.s mt_ok2 move.w #$358,22(a6) mt_ok2: move.w 22(a6),6(a5) rts mt_volup: clr.w d0 move.b 3(a6),d0 lsr.b #4,d0 tst.b d0 beq.s mt_voldwn mt_pushvol1: add.w d0,$12(a6) cmp.w #$40,$12(a6) bmi.s mt_ok3 move.w #$40,$12(a6) mt_ok3: move.w $12(a6),8(a5) rts mt_voldwn: clr.w d0 move.b 3(a6),d0 mt_pushvol2: and.b #$0f,d0 sub.w d0,$12(a6) bpl.s mt_ok4 clr.w $12(a6) mt_ok4: move.w $12(a6),8(a5) rtrg _s mt_arpegrt: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counter beq.s mt_loop3 cmp.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: lsl.w #1,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmpr h*.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpart: move.w d2,6(a5) rts mt_rout2: lea mt_sampleinfo,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0400,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr.L mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr.L mt_playit move.l #$dff0c0,a5 lea mt_aud3tempr i,a6 bsr.L mt_playit move.l #$dff0d0,a5 lea mt_aud4temp,a6 bsr.L mt_playit move.l #mt_speed,d0 mt_rls: dbf d0,mt_rls move.l #$8000,d0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w #1,$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w #1,$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 mor j&)lve.w #1,$dff0b4 mt_voice1: move.l #mt_aud1temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w #1,$dff0a4 mt_voice0: lea mt_modulate,a0 move.l mt_partnote,d0 lsl.b #7,d0 add.l #$10,d0 move.l d0,mt_partnote cmp.l #$400,d0 bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 mor kWGve.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_samples,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) move.w 2(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) mover lU.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: tst.w (a6) beq.s mt_retrout move.w (a6),16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w (a6),6(a5) move.w 20(a6),d0 or.w d0,mt_dmacon mt_retrout: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 move.w d0,$dff09e tst.w (a6) beq.s mt_nonewper move.w (a6),22(a6) mt_nonewper: move.b 2(a6),d0 and.b #$0f,d0 cmp.b #14,d0 beq.s mt_zx1 cmp.b #15,d0 bne.s mt_noset move.w 2(a6),d0 and.l #$f,d0 move.l rms#d0,mt_tempo rts mt_zx1: move.w 2(a6),24(a6) rts mt_noset: tst.b 3(a6) bne.s mt_noclr clr.w 24(a6) mt_noclr: cmp.b #3,d0 beq.s mt_modvol cmp.b #6,d0 beq.s mt_modvol cmp.b #9,d0 beq.s mt_modvol cmp.b #4,d0 beq.s mt_modper cmp.b #7,d0 beq.s mt_modper cmp.b #10,d0 beq.s mt_modper cmp.b #5,d0 beq.s mt_modvolper cmp.b #8,d0 beq.s mt_modvolper cmp.b #11,d0 beq.s mt_modvolper cmp.b #12,d0 bne.s mt_nochnge move.b 3(a6),8(a5) mt_nochnge: rts mt_modvol: move.w 20(a6),d0 bra.s mt_push mt_modprng{er: move.w 20(a6),d0 lsl.w #4,d0 bra.s mt_push mt_modvolper: move.w 20(a6),d0 lsl.w #4,d0 add.w 20(a6),d0 mt_push: add.w #$8000,d0 move.w d0,$dff09e rts mt_aud1temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000,$0000 mt_aud4temp: dc.w $0000,$000roz0,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_tempo: dc.l 6 mt_partpoint: dc.l 0 mt_samples: dc.w $0000,$0000 mt_sample1: dc.l 0 mt_sample2: dc.l 0 mt_sample3: dc.l 0 mt_sample4: dc.l 0 mt_sample5: dc.l 0 mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.rp#l 0 mt_maxpart: dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,rql$0000 mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_sampleinfo: blk.b 0,0 s1: blk.b 0,0 s2: blk.b 0,0 s3: blk.b 0,0 s4: blk.b 0,0 s5: blk.b 0,0 s6: blk.b 0,0 s7: blk.b 0,0 s8: blk.b 0,0 s9: blk.b 0,0 sa: blk.b 0,0 sb: blk.b 0,0 sc: blk.b 0,0 sr-Pd: blk.b 0,0 se: blk.b 0,0 sf: blk.b 0,0  mt_dmacon: dc.w $0000 mt_modulate: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$60ee,$0000,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $1753,$6f75,$6e64,$5472,$6163,$6b65,$7220,$5632 dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,sfinaltfdmixfunkbass Z7bassdrum3@hihat1@snare3l@dreambells@metalkeys\-claps1~@strings1b@xtI0 00 0p@@0000 0 0 0 :p@@:00:00 0@0 0p@@0@0u0 0 0@ր0 0:p@@:00:0ր0 000 p@@000 0 00 0 :p@@:00:00 0 0 0 րp@@0vuv@000 0 @0 0 :p@@:00:000 00 00 00 00 00 00 00 00 00 00 @ 0@@ 0@ 0@@ wx0@ 0@@@ 0@@ 0@ 0@ 0@ 0@@@@0@@@0@@@0@@@0@@@0@@@0@@@0:@@@0:@@@0:@@@0@@@@0xx@@@0@@@0@@@@0@0@@@:0@@@:0@@@0@@@:0@@@@@0 @@0 @@0@@@@0@@0@@0 @@0   :@@0@@:@@0@@0 :@@0  @@TR4,,,y.%0@@@0@@@@@0 @@0@@0 @@0@ :@@0@@:@@0@@0 : @@0@@0@@@@@@0  @@0 @@0 @@0  @@0 :@@0@@:@@0 :@@0z~ @@@0@@0@@0@@@@0 @@@0  @@@0@@0 :@@0@@: :@@0` 000@@@000 000@@@@@0 {00 000@@@000}} }}00}}0}}@@@}}@@00}}0@@ @@00@@0@@@@@@@00@@0@@ @@00@@0SS@@@ |DSS@@00SS0}} }}00}}0}}@@@}}00}}0 000@@@@@@@@@00@@0X`}0 X`00`00`00X`@@@X`00`00`00X`0 X`00`00` }c00X`@@@X`00`00`00`0 `00@`00@`00`@@@`00@`00@`00`0 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' 8O΁K040 @T9`g  ^x\?~@) pDc٧?g;u h< ' c< _a`!!?P(w-/,  0p `~@ l@?(X8X    P(4@2 b@8N?| B8L4 F@Ppo(x$ #@ {XP$~!@)y<!0@P0@ h0@ ( 2K|( Ͻ D0 p` ~|u k`9b b,I05`~ sP,A`)A)p8<@P7ς(P(  ( (@(F( bP( =(` xt1 P> ((@A|(L?$R ` Nj  P<0( $AR8ARoP1  ~@Py 0 P8!@lXh< @E(4<.6Kx1 ( 0X@h6 Ch=h CQc( >1@o`' 06 <$Bblue shaddowskorgbass@hallbrass\9jahrmarkt1$)korgbow @noteman @magicb@monobass 5snare3l@mechanic1@bassdrum28celeste@chink @squaresV@bassdrum1&shaker~"x }000}0}000000퇄0000}000}0}00000a$0} 0 S0} @0 S0 }0}p} 00}0}p}000pp0}pS 0#@ 0p0S 0p0p 0}0}p} 00}0}p}000pp0}pjD00p} 0 S0p} @0 S0p } }p }p } ppԩ}p p  p p }p }p }  p p }p @ppp}pp :pp}  }p}  }p@p  4 p:p x :px }p }p@p p :pp}  }p }p}  @p p  p@`pS`}p@`}`}p`@p}p} }p }  㳄 pp}p} p } p p} }p} }p  } p} p}p@p@pp}pp: p   }p@pp }p  }p @p p: p  }p @pp p  }p@ @p p}P}}}P}'}P}}}PPP}PPPPPPPPP}P}}}PPT}}PP}}}}}}P}}}PP}PP}}}}}}0}`2t``000}``0`0}`0`0`0}```:00:0}``0`000}} @ 0} TRA,,,,{}p}p 뇴pp}pppp}p}p!X؄ppP}pPP:PP@pPPP@PpSPp}PP}p}p; Atsfbassdrum2@pingbells @noteman @wowbass @strings1b@electom,claps1~@hihat2(marimbapopsnare2(touch@steinway z8squaresV@tinewaveV&soundtrackV@)x   S@SP S@}pS@SPS@S@PS@S }pS@S@}pS@S@S@S@}pS@@P: @}p@P@@P@ }p@@PS @}p34@P@}P`}@`S`}p}@`S@S@.S@S@S@S@.S@S@4.S@S@S@S@.S@@}@.@@@@.@@SżT@S@Ű@S}@}@.S@S@.S@SS@S@S@.S@S@DS@.S@S@S@S@.S@@}@.@@@@.@؋@S@S@@}@}}@SSSS :qSTRB,,,cAQz +qSSPPS  SPPSSPPS0 }00SPPSPPSPP}ŰPSP}SPSPPSP }S}PP}}PSP.P}PPSP}P.PPS@SPPPS@S@SS@ S@S@S@}P.PPS@S@}S@}S@S@S@PSPPS@S@ӹTS@S@S@S@S@.S@S@PSPPS@S@}P.PPS@S@SPPgSS:SPPBSQQS74SSSSSSSSSDS@S@S@S@SS@S@SS@S@S@S@S@SS@S@SS@@@@@S@@S@@@@@S@@St}@S@SS@S@S@SS@S@SSS@S@S@S@S@SS@A$S@SS@@@S@@S@@S@@S@@@S@S@S}}@S@SS@S@S@SS@S@SSS@S@S@S@S@ӛSS@S@SS@}@}@.}@}@S}@}@S}S}@.}@}@%.}@}@S}@}@S.}@@P@@@}PS@@S@SP@n4@@P@@}@}P}@}@}@SP}}@}@}}@.P}@O}@}@P}@}@@SPP@PP@P@P@P@PPT@@P@P@P@PS@SPP`SPS`:`PP`&d@SS@S@S@S@S@S@ܣŰ}S@S@S@S@S@S@SŰ@`S@S@@`S@S@`S@S@T@`S@}```S@S@`S@``S@p}`}`p`S@`ŰS@TRC,,,>c+4 8tS@Ű@!8dSS@S@S@S@"#4tj at mikessinecz@Jbassdrum1&@analogstring0@ claps1~snare3l@hihat2strings3- electom(woodblockX@popbassF@strings2n(xȧ{/  }  :}T:@ @ }@ @ @ @ @ :@ @ @ }@ @ @ ԋ@ @ :@ @ 0@ }@ @ @ Ӣ@ @ :@ @ 0@ }@ @ Ѡć@ @ @ :@ @ }0@ }@ @  pԅ@ @ @ :@ @ S0@ }@ @  ʹ@ @ @ :@ @ 0@@@ }@  T@@@ @@@ @@@ @ :@ @@@@@ 0@@@ }@  _d@@@ @@@ @@@ @ :@@@ @@@ }0@@@ } T}@ @@@ @@@ @@@ @ :@ @@@@@ S0@@@ }d{@ @@@ @@@ @@@ @ :@@@ @@@P``0@@@ վy}``@P@ `@@@ @@``@P``@@@ ``@P@ `:@ @@``@@@P``ֹ:w0@@@ }``@P@ `@@@ @@``@P``@@@ ``@P@ `:@@@ @@``@P׹u``}0@@@ }``@P@ `@@@ @@``@P``@@@ @ `@P``:@ @@``@@@Pؽs@ `S0@@@ }``@P``@@@ @@@ `@P``@@@ ``@P@ `:@@@ @@`TRD,,,"^$ٮxdq`@P``0p@ }``@P@P`@ ``@P``@ pp@ :p`p@Pp:p`p`:p@ :pڪLgp`p`:p@Ppp@ :p`0r@ }`p`@Pp`:p`p@ @ `@P``@ ``@P@ `:۔m@ ``@P``}0p@ p}p`p`p@P:pp@ :p`p@ :pp`p`p@Ppp`p`p@ }pp@ }p`Sp@P}pSp`ܸDk@p`:Sp@ @pp`@p`p@Ppp@ p`S0p@ }``@P``@ @ `@P``@ `ݫIi@`:@SSS}0p}}p``p@Pp@ p`@ }pp``p@Pp``p@ p@ `ެՔgp@Pp`p`:@ }pp``p@Pp@ `0p@ }@p``Sp@P}p`@p`@ @ `@P``p@ ߥ|de@p``Sp@P}p@ @p`:@ ``@P``}0p@ p}@p`Sp`p@P@pSp@ }p`@p@ Sp}p`p`Sp@P}pp`p`}p@ p4cpp@ p`p@Ppp`:p`:p@ :pp`p`:p@Ppp@ p`S0p@ p}p`:p`p@Pp:p`p`p@ :pp@ p`p@Ppp`!Ta}p`p@ p}p`Sp`p@P}pSp@ @p`:}p@ Sp@p`p`p@Pp``0p@ }}p``p@Pp@ `p@ p``p@P}_p``p@ p@ `p@Pp``::p@ p``p@Pp@ `0p@ }}p``p@Pp``p@ p@ `]p@Pp``p@ p``p@Pp@ `::p@ p``p@Pp``}0p@ }}p``p@Pp@ `p@ p`1d[`p@Pp``p@ p@ `p@Pp``::p@ p``p@Pp@ `S0p@ }}p``p@Pp``p@ 堔dYp@ `p@Pp``p@ p``p@Pp@ `::p@ p``p@Pp``0p@ }}p``p@Pp@ ` Wp@ p``p@Pp``p@ p@ `p@Pp``::p@ p``p@Pp@ `p@ }}p``p@P!Up``p@ p@ `p@Pp``p@ p``p@Pp@ `::p@ p``@P``@ }``@P"S@ `@ ``@P``@ @ `@P``:@ ``@P@ `@ }`#ʔTQ`@P``@ @ `@P``@ ``@P@ `:@ ``@P``@ $O``@P@ `@ ``@P``@ @ `@P``@ ``@P@ `%$M@ ``@P``@ @ `@P``@ ``@P@ `@ ``@P`&K`@ ``@P@ `@ ``@P``@ @ `@P``@ ``@P'DI@ `@ ``@P``@ @ `@P``@ ``@P@ `@ ``("G@P``@ ``@P@ `@ ``@P``@ @ `@P``@ TRE,,,%V)E``@P@ `@ ``@P``@ @ `@P``@ ``@P@ `@ *EDC``@P``@ ``@P@ `@ ``@P``@ @ `@P`+A`@ ``@P@ `@ ``@P``@ @ `@P``@ ``@P,`K@ `@ ```@ ``@P@ `@ ``@P``@ @ `@P`1**************************** **************************** *** ___ *** *** /\/\ | *** *** / \EGA |RAXX *** *** *** *** Coding : *** *** The Exterminator *** *** *** *** DemoTune : *** *** The Psychos *** *** *** *** For : *** *** The Jungle Command *** *** *** *** The Jungle Command *** *** *** **************************** **************************** *For DemoTune : Load the file 'DemoSounDBds' to $50000 * (Use the 'ri'-command) mt_speed=$5b bsr mt_init move.w #$4000,$dff09a move.l $00006c,mt_oldirq move.l #mt_newirq,$00006c move.w #$c000,$dff09a mt_wait: btst #6,$bfe001 bne.s mt_wait move.w #$000f,$dff096 move.w #$4000,$dff09a move.l mt_oldirq,$00006c move.w #$c000,$dff09a clr.l d0 rts mt_init: move.l #$50000,mt_sample1 move.l #$51430,mt_sample2 move.l #$52120,mt_sample3 move.l #$525a0,mt_sample4 move.l #$53550,mt_sample5 move.l #$53960,mt_samplhe6 move.l #$56b60,mt_sample7 move.l #$57ed0,mt_sample8 move.l #$59260,mt_sample9 move.l #$5c7b0,mt_sample10 move.l #$00000,mt_sample11 move.l #$00000,mt_sample12 move.l #$00000,mt_sample13 move.l #$00000,mt_sample14 move.l #$00000,mt_sample15 move.l #mt_sample1,a0 clr.l d0 mt_clear: move.l (a0,d0),a1 clr.l (a1) addq #4,d0 cmp.l #$3c,d0 bne.s mt_clear move.w #0,$dff0a8 move.w #0,$dff0b8 move.w #0,$dff0c8 move.w #0,$dff0d8 clr.l mt_partnrplay clr.l mt_partnote c{lr.l mt_partpoint move.b mt_partinfo,mt_maxpart+1 move.b mt_partinfo+1,mt_kn1+1 rts mt_newirq: movem.l d0-d7/a0-a6,-(a7) bsr mt_music movem.l (a7)+,d0-d7/a0-a6 dc.w $4ef9 mt_oldirq: dc.l 0 mt_music: lea mt_vibes,a6 cmp.w #$0c39,(a6) bne.s mt_novibessave move.l a6,d0 move.l d0,mt_modsave mt_novibessave: movem.l d0-d7/a0-a6,-(a7) addq.l #1,mt_counter cmp.l #6,mt_counter bne.s mt_notsix clr.l mt_counter bra.L mt_rout2 mt_notsix: lea mt_aud1temp,a6 move.l #$dff0a6,a5 move.b (a6),d7 lsr.b #4,d7 tst.b d7 beq.s mt_arpg1 jsr mt_portrout bra.s mt_arp1 mt_arpg1: tst.b 3(a6) beq.s mt_arp1 bsr mt_arprout mt_arp1: lea mt_aud2temp,a6 move.l #$dff0b6,a5 move.b (a6),d7 lsr.b #4,d7 tst.b d7 beq.s mt_arpg2 jsr mt_portrout bra.s mt_arp2 mt_arpg2: tst.b 3(a6) beq.s mt_arp2 bsr mt_arprout mt_arp2: lea mt_aud3temp,a6 move.l #$dff0c6,a5 move.b (a6),d7 lsr.b #4,d7 tst.b d7 beq.s mt_arpg3 jsr mt_portrout bra.s mt_arp3 mt_arpg3: tst .b 3(a6) beq.s mt_arp3 bsr mt_arprout mt_arp3: lea mt_aud4temp,a6 move.l #$dff0d6,a5 move.b (a6),d7 lsr.b #4,d7 tst.b d7 beq.s mt_arpg4 jsr mt_portrout bra.s mt_arp4 mt_arpg4: tst.b 3(a6) beq.s mt_arp4 bsr mt_arprout mt_arp4: bra.L mt_stop mt_portrout: clr.w d6 move.b 3(a6),d6 cmp.b #2,d7 beq.s mt_portup add.w d6,22(a6) bra.s mt_write mt_portup: sub.w d6,22(a6) mt_write: move.w 22(a6),(a5) rts mt_arprout: cmp.l #1,mt_counter beq.s mt_loop2 cmp.l #2,mt_counfter beq.s mt_loop3 cmp.l #3,mt_counter beq.s mt_loop4 cmp.l #4,mt_counter beq.s mt_loop2 cmp.l #5,mt_counter beq.s mt_loop3 rts mt_loop2: clr.l d0 move.b 3(a6),d0 lsr.b #4,d0 bra.s mt_cont mt_loop3: clr.l d0 move.b 3(a6),d0 and.b #$0f,d0 bra.s mt_cont mt_loop4: move.w 16(a6),d2 bra.s mt_endpart mt_cont: mulu #2,d0 clr.l d1 move.w 16(a6),d1 lea mt_arpeggio,a0 mt_loop5: move.w (a0,d0),d2 cmp.w (a0),d1 beq.s mt_endpart addq.l #2,a0 bra.s mt_loop5 mt_endpar[t: move.w d2,(a5) rts mt_rout2: move.w #$00ff,$dff09e lea mt_sampleinfo,a0 move.l a0,a3 add.l #$0c,a3 move.l a0,a2 add.l #$1d8,a2 add.l #$258,a0 move.l mt_partnrplay,d0 clr.l d1 move.b (a2,d0),d1 mulu #$0200,d1 add.l mt_partnote,d1 move.l d1,mt_partpoint clr.w mt_dmacon move.l #$dff0a0,a5 lea mt_aud1temp,a6 bsr mt_playit move.l #$dff0b0,a5 lea mt_aud2temp,a6 bsr mt_playit move.l #$dff0c0,a5 lea mt_aud3temp,a6 bsr mt_playit move.l #$dff0d0,a5 lea mt_aud4 dg\temp,a6 bsr mt_playit move.l #mt_speed,d0 mt_rls: dbf d0,mt_rls move.l #$8000,d0 add.w mt_dmacon,d0 move.w d0,$dff096 move.l #mt_aud4temp,a6 cmp.w #1,14(a6) bne.s mt_voice3 move.l 10(a6),$dff0d0 move.w 14(a6),$dff0d4 mt_voice3: move.l #mt_aud3temp,a6 cmp.w #1,14(a6) bne.s mt_voice2 move.l 10(a6),$dff0c0 move.w 14(a6),$dff0c4 mt_voice2: move.l #mt_aud2temp,a6 cmp.w #1,14(a6) bne.s mt_voice1 move.l 10(a6),$dff0b0 move.w 14(a6),$dff0b4 mt_voice1: move.l #mt_aud1 ,$temp,a6 cmp.w #1,14(a6) bne.s mt_voice0 move.l 10(a6),$dff0a0 move.w 14(a6),$dff0a4 mt_voice0: add.l #$10,mt_partnote cmp.l #$200,mt_partnote bne.s mt_stop clr.l mt_partnote addq.l #1,mt_partnrplay clr.l d0 move.w mt_maxpart,d0 move.l mt_partnrplay,d1 cmp.l d0,d1 bne.s mt_stop clr.l mt_partnrplay mt_stop: movem.l (a7)+,d0-d7/a1-a6 rts mt_playit: move.l (a0,d1),(a6) addq.l #4,d1 clr.l d2 move.b 2(a6),d2 and.b #$0f,d2 tst.b d2 beq.s mt_noadkcon cmp.b #1,d2 b |une.s mt_novol move.b 21(a6),d2 bra.s mt_pushadkcon mt_novol: cmp.b #2,d2 bne.s mt_noperiod move.b 21(a6),d2 lsl.b #4,d2 bra.s mt_pushadkcon mt_noperiod: move.b 21(a6),d2 lsl.b #4,d2 add.b 21(a6),d2 mt_pushadkcon: add.w #$8000,d2 move.w d2,$dff09e mt_noadkcon: clr.l d2 move.b 2(a6),d2 and.b #$f0,d2 lsr.b #4,d2 tst.b d2 beq.s mt_nosamplechange clr.l d3 lea mt_samples,a1 move.l d2,d4 mulu #4,d2 mulu #$1e,d4 move.l (a1,d2),4(a6) move.w (a3,d4),8(a6) move.w 2 m$(a3,d4),18(a6) move.w 4(a3,d4),d3 tst.w d3 beq.s mt_displace move.l 4(a6),d2 add.l d3,d2 move.l d2,4(a6) move.l d2,10(a6) move.w 6(a3,d4),8(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) bra.s mt_nosamplechange mt_displace: move.l 4(a6),d2 add.l d3,d2 move.l d2,10(a6) move.w 6(a3,d4),14(a6) move.w 18(a6),8(a5) mt_nosamplechange: move.w (a6),d7 and.w #$0fff,d7 beq.s mt_retrout move.w d7,16(a6) move.w 20(a6),$dff096 move.l 4(a6),(a5) move.w 8(a6),4(a5) move.w d7 W,6(a5) move.w d7,22(a6) move.w 20(a6),d0 add.w d0,mt_dmacon mt_retrout: move.b (a6),d7 and.b #$f0,d7 cmp.b #$30,d7 bne.s mt_audiodma move.w 20(a6),$dff096 mt_audiodma: rts mt_aud1temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0001,$0000 mt_aud2temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0002,$0000 mt_aud3temp: dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0004,$0000 mt_aud4temp: dc.w $00^00,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0008,$0000 mt_partnote: dc.l 0 mt_partnrplay: dc.l 0 mt_counter: dc.l 0 mt_partpoint: dc.l 0 mt_samples: dc.w $0000,$0000 mt_sample1: dc.l 0 mt_sample2: dc.l 0 mt_sample3: dc.l 0 mt_sample4: dc.l 0 mt_sample5: dc.l 0 mt_sample6: dc.l 0 mt_sample7: dc.l 0 mt_sample8: dc.l 0 mt_sample9: dc.l 0 mt_sample10: dc.l 0 mt_sample11: dc.l 0 mt_sample12: dc.l 0 mt_sample13: dc.l 0 mt_sample14: dc.l 0 mt_sample15: dc.l 0 mt_maxpart: yW)7dc.w $0000 mt_kn1: dc.w $0000 mt_dmacon: dc.w $0000 mt_modsave: dc.l 0 mt_vibes: dc.w $0c39,$0039,$00bf,$ec01,$6630,$0839,$0007,$00bf dc.w $e001,$6626,$2c79,$0000,$0004,$43fa,$0020,$4eae dc.w $fe68,$2c40,$4280,$41fa,$0026,$223c,$0000,$0032 dc.w $4eae,$ffa6,$4ef9,$00fc,$0000,$4e75,$696e,$7475 dc.w $6974,$696f,$6e2e,$6c69,$6272,$6172,$7900,$0104 dc.w $172d,$3d20,$4d65,$6761,$5472,$6178,$7820,$3d2d dc.w $0063,$00f0,$20a9,$2054,$6865,$204a,$756e,$676c dc.w $6520,$436f,$6d6d,$616e,$6400,$T00cd mt_arpeggio: dc.w $0358,$0328,$02fa,$02d0,$02a6,$0280,$025c dc.w $023a,$021a,$01fc,$01e0,$01c5,$01ac,$0194,$017d dc.w $0168,$0153,$0140,$012e,$011d,$010d,$00fe,$00f0 dc.w $00e2,$00d6,$00ca,$00be,$00b4,$00aa,$00a0,$0097 dc.w $008f,$0087,$007f,$0078,$0071,$0000,$0000,$0000 mt_sampleinfo: **************************************************** ******************SAMPLE_INFO*********************** **************************************************** ; *****MUSIC_NAME***** dc.b " 6TJC-Tune " ; ******SAMPLE1NAME***** dc.b "BassDrum " ; length vol start repeat dc.w $0a14,$0020,$0000,$0001 ; ******SAMPLE2NAME***** dc.b "Bongo2 " dc.w $0675,$0020,$0000,$0001 ; ******SAMPLE3NAME***** dc.b "Crystal1 " dc.w $023b,$0020,$0000,$0001 ; ******SAMPLE4NAME***** dc.b "Burp " dc.w $07d3,$0040,$0000,$0001 ; ******SAMPLE5NAME***** dc.b "Crystal2 " dc.w $01f7,$0020,$00Xc,00,$0001 ; ******SAMPLE6NAME***** dc.b "DistortedGuitar2 " dc.w $1900,$0020,$0000,$0001 ; ******SAMPLE7NAME***** dc.b "SnareDrum " dc.w $09b4,$0020,$0000,$0001 ; ******SAMPLE8NAME***** dc.b "BassGuitar " dc.w $09c7,$0040,$0000,$0001 ; ******SAMPLE9NAME***** dc.b "MajorAccord " dc.w $1aa1,$0020,$0000,$0001 ; *****SAMPLE10NAME***** dc.b "MinorAccord " dc.w $1fc9,$0020,$0000,$0001 ; *****SAMPLE11NAME***** dc.bTRF,,,~@Kjy " " dc.w $0000,$0000,$0000,$0000 ; *****SAMPLE12NAME***** dc.b " " dc.w $0000,$0000,$0000,$0000 ; *****SAMPLE13NAME***** dc.b " " dc.w $0000,$0000,$0000,$0000 ; *****SAMPLE14NAME***** dc.b " " dc.w $0000,$0000,$0000,$0000 ; *****SAMPLE15NAME***** dc.b " " dc.w $0000,$0000,$0000,$0000 mt_partinfo: dc.w $2178 ***************************************************L* *******************PARTS_TABLE********************** **************************************************** dc.w $0001,$0202,$0304,$0203,$0402,$0605,$0705,$0705 dc.w $0203,$0402,$0304,$0206,$0507,$0507,$0508,$090a dc.w $0b00,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0000,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $00Ͱ00,$0000,$0000,$0000,$0000,$0000,$0000,$0000 **************************************************** **********************PARTS************************* **************************************************** ; **VOICE1** **VOICE2** **VOICE3** **VOICE4** dc.w $00d6,$5000,$00e2,$1000,$0000,$0000,$0000,$0000 dc.w $00e2,$2000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $012d,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0153,$5000,$00e2,$0000,$0000,$0000,$0000,$0000 dc.w $00d6,$0000,c$0000,$0000,$0000,$0000,$0000,$0000 dc.w $00e2,$2000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $012d,$0000,$00e2,$7000,$0000,$0000,$0000,$0000 dc.w $0153,$5000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $00d6,$0000,$00e2,$1000,$0000,$0000,$0000,$0000 dc.w $00e2,$2000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $012d,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $0153,$5000,$00e2,$0000,$0000,$0000,$0000,$0000 dc.w $00d6,$0000,$0000,$0000,$0000,$0000,$0000,$0000 dc.w $00e2,$2000,$0000,$0000 ,$0000,$0000,$0000,$0000 dc.w 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SOUNDTRACKER_V6.0p7b ACF "*$I fae Zc0T L!XAP@u w;ڝq= )4Bx` f_p` b 0k@ `` @@᥀P`PX( ,PZD V,G r $0R`#1A(" |_?`I@ sA  :"8!~rL----------------------------------------------------------------------------- THE JUNGLE COMMAND WANTS TO GREET THE FOLLOWING GROUPS ----------------------------------------------------------------------------- THE MEGA GREETINGS ARE GOING TO: DUTCH USA TEAM, MAGNIFICENT FORCE, MADNESS, ANC, THE WEB INC., RED SECTOR INC., AXXESS, VORTEX 42, ANTITRAX 2010, DEFJAM, WARRIORS OF DARKNESS, AMIGA SOFTWARE SYNDICATE. THE NORMAL GREETINGS GO OUT TO :THE NEW MASTERS (TNM)Z ----------------------------------------------------------------------------- THE JUNGLE COMMAND and ANC EUROPE presents SOUNDTRACKER-MEGADISK ----------------------------------------------------------------------------- F1 .... SOUNDTRACKER V1.0 BY KARSTEN OBARSKI F2 .... SOUNDTRACKER V2.0 BY JUNGLE COMMAND F3 .... SOUNDTRACKER V3.0 BY DEFJAM ( all versions are based on ) F4 .... SOUNDTRACKER V3.0 BY DOC ( 2.0 by the JUNGLE COMMAND ) F5  , MIRACULIX HAGAR OF THE CONNECTION , TRILOGY , STACK , POWERSLAVES , INTRUDER SAXXONS CREW , MEAN MACHINE , AMIGA INDUSTRIES, AMERICAN WILDCATS , DEXION NEW ACES , GOFFY CRACKINGS INC. , TCC , 1001-CREW , DOC , THE BAND , ULD , DRAGONFORCE, B-ART , IKARI , GSC INT. , DNS+RAGE , POWERBYTE, MADSQUAD , MEGA FORCE ( HOPE TO SWAP WITH YOU UNTIL ...) , GOONIES , IAN & MIC MOTLY CRUE TEAM , DATAFETCH , HCS , ITALIAN BAD BOYS , TFF , TAG , TSF , DIGITAL FORCE , DBS , TࠌMG/TMB , UCC , PSYCHOS , SLS , TEW , SWATCH AND JAN & KEES..... ---------------------------------------------------------------------------- ------------------------------------------------------------------------ THE MEGA GREETINGS ARE GOING TO: DUTCH USA TEAM, MAGNIFICENT FORCE, MADNESS, ANC, THE WEB INC., RED SECTOR INC., AXXESS, VORTEX 42, ANTITRAX 2010, DEFJAM, WARRIORS OF DARKNESS, AMIGA SOFTWARE SYNDICATE. THE NORMAL GREETINGS GO OUT TO :THE NEW MASTERS (TNM)k0 -''L.=6EG@A@B@AAAAAAAAAAAAAA@~`~`!!1@@2##3$$4%%5^^6&&7**8((9))0_-_-+=+=|\|\0QqWwEeRrTtYyUuIiOoPp{[{[}]}]123AaSsDdFfGgHhJjKkLl:;:;"'"'456>.>.?/?/.789